Mengalami Disharmoni: Penggambaran Kontemplasi Relasi Antara Manusia dan Alam Melalui Drawing
DOI:
https://doi.org/10.26742/atrat.v13i1.4286Keywords:
anthropocentrism, contemplation, drawing, landscape, natureAbstract
This article discusses the Drawing series “Experiencing Disharmony” as a reflection on the imbalance between humans and nature due to anthropocentric dominance. Based on mountain trekking experiences, the work depicts human alienation within vast and unpredictable landscapes, emphasizing submission to natural laws. The theoretical approach draws from mimesis, Romantic aesthetics, Apollonian–Dionysian duality, Gregory Bateson’s anti-anthropocentrism, and Raffaele Milani’s concept of landscape as a contemplative space. A research-based art practice is used, with landscape photography as the visual foundation. Layered pastel and charcoal lines on large paper record both physical and inner experiences. A small human figure facing away from the viewer reinforces alienation. Visual disharmony is conveyed through disproportional scale, metaphorical composition, and color limitations as an ecological awareness. Each of the six drawings is subtitled with geographic coordinates to highlight landscape as a reflective site.
References
Khayla Indiva Pratanto¹, Dikdik Sayahdikumullah², Dadang Sudrajat³
Program Studi Seni Rupa, Fakultas Seni Rupa dan Desain
Institut Teknologi Bandung
Jl. Ganesa No.10, Lb. Siliwangi, Kecamatan Coblong, Kota Bandung, Jawa Barat 40132
Email: khaylaindiva@gmail.com¹, sayahdikumullah@yahoo.com², lafadzagat@gmail.com³
References:
Camus, A. (2018). Create dangerously. Penguin.
Guntur, G. (2007). Seni dan kebudayaan dalam pendekatan hermeneutik/interpretif. Ornamen, 4(2), 1–10.
Honigman, A. F. (2023). Wanderer above the sea of fog. Encyclopædia Britannica. https://www.britannica.com/biography/Wanderer-Above-the-Sea-of-Fog
Katz, E. (1997). Nature as subject: Human obligation and natural community (No. 70). Rowman & Littlefield.
Kurniawan, T. (2019). Estetika Friedrich Wilhelm Nietzsche: Romantisme estetis dalam prinsip Apollonian dan Dionysian. Specta: Jurnal Ilmu-Ilmu Humaniora, 17(1). https://doi.org/10.35312/spet.v17i1.37
Milani, R. (2009). The art of the landscape (C. Federici, Trans.). McGill-Queen’s University Press.
Mhaske, S. U., Sharma, M., & Thapliyal, R. (2021). Romanticism and art: An overview. Webology, 18(3), 1200–1206.
Museum of Modern Art. (n.d.). Peter Doig | MoMA. https://www.moma.org/artists/8087
Nietzsche, F. (1967). The birth of tragedy. Vintage Books Knopf.
The Editors of Encyclopaedia. (2024). Caspar David Friedrich. Encyclopædia Britannica. https://www.britannica.com/biography/Caspar-David-Friedrich
Thornton, S. (2012). Seven days in the art world. Granta Books.
Tumanggor, B. J. (2020). Ekologi akal budi: Memahami alam sebagai kesatuan menurut Gregory Bateson. Melintas, 36(2), 212–237. https://doi.org/10.26593/mel.v36i2.5378
Van den Braembussche, A. (2009). Thinking art. Springer Science & Business Media.
Wainwright, L. (2007, October 1). Peter Doig by Chris Ofili. BOMB Magazine. https://bombmagazine.org/articles/2007/10/01/peter-doig-chris-ofili/
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
Copyright (c) 2025 Khayla Indiva Pratanto, Dikdik Sayahdikumullah, Dadang Sudrajat
This work is licensed under a Creative Commons Attribution 4.0 International License.
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to jurnal Atrat and Jurusan Seni Rupa STSI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
Jurnal Atrat and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in jurnal Atrat are the sole and exclusive responsibility of their respective authors and advertisers.
The Copyright Transfer Form can be downloaded here: [Copyright Transfer Form JTSiskom]. The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax :
Agus Cahyana (Editor-in-Chief)
Editorial Office of Jurnal Atrat
Department of fine art and design. ISBI Bandung
Jl. Buah Batu 212
Email: jurnalatrat@gmail.com
