KAJIAN LUKISAN STILL LIFE JELEKONG

Belinda S. Dewi, M. A. Rahim

Abstract


Still Life is a painting that can present a historical and social development in some society. This is because, the selection of objects that being used in the still life painting always have a certain significance to the artist in its time, either symbolically or through their lives and way of thingking. Jelekong painting itself is one of the heritage from Dutch or European naturalist painters who had settled in Indonesia. The hypothesis of this research are based from the lack of significant visual development of Still Life’s paintings in Jelekong even though there have been several painters who is graduate from art degrees. This is most likely due to their target that is only for commercialization or their work ethics that based on reservations.

Keywords: Still Life, Painting, Jelekong

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Still Life adalah lukisan yang dapat menampilkan perkembangan sejarah dan sosial di dalam masyarakat. Hal ini dikarenakan pemilihan objek yang akan digunakan dalam lukisan still life selalu memiliki arti penting bagi seniman pada masanya, baik secara simbolis maupun melalui kehidupan dan cara berpikir mereka. Lukisan Jelekong merupakan salah satu warisan pelukis naturalis Belanda atau Eropa yang telah menetap di Indonesia. Hipotesis yang akan dibuktikan adalah kurang signifikannya perkembangan visual lukisan Still Life di Jelekong meskipun telah ada beberapa pelukis yang membekali gelar sarjana seni. Hal ini kemungkinan besar karena target mereka yang terfokus pada komersialisasi atau etos kerja mereka yang berdasarkan pada pemesanan karya.

Kata Kunci: Still Life, Lukisan, Jelekong


References


Bell, J. (1999). What is Painting? Representation and Modern Art. Thames and Hudson.

Ebert-Schifferer S. (1999). Still Life: A History. Harry N. Abrams, New York.

Feldman, E. B. (1967). Art As Image and Idea. Prentice-Hall, Inc, Englewood Cliffs.

Holt, C. (2000). Melacak Jejak Perkembangan Seni di Indonesia. arti.line, Bandung.

Ocvirk, Otto G., Robert E. S., Phillip R. W., Robert O. B., David L. C. (2001). Art Fundamental Theory and Practice Ninth Edition. Mcgraw Hill, New York.


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