ATRAT: Jurnal Seni Rupa

Ruang Interior sebagai Dasar Penciptaan Karya Seni Rupa: Studi Kasus Mata Kuliah Seni Monumental

Adinda Safrina — 2025-10-10

This research examines the role of interior space as a basis for decision-making in the process of creating visual art, with a focus on a case study of the Monumental Art course. In the context of visual art education, interior space is not only understood as a physical element but also as a medium of artistic expression that influences imagination, creativity, and the concept of a work. The study aims to identify how interior space is applied in the learning process of the Monumental Art course and how it impacts the students’ artistic outcomes. A qualitative approach was used in this research through observations of the learning process and an analysis of the works produced. The findings show that interior space functions as an integral element in building artistic narratives, stimulating material exploration, and strengthening the spatial context within monumental art works. Furthermore, the project-based learning approach applied in this course proved effective in encouraging students to explore the potential of interior space as an environment for artistic creation. The conclusion of this study emphasizes the Monumental Art course, which focuses on interior space as a conceptual basis for visual art creation. The recommendations of this research include strengthening the exploration of space within the visual art curriculum and further utilizing interior space in visual art education.

Desain Motif Kontemporer Inspirasi Candi Jiwa Kabupaten Karawang dalam Produk Aksesori Fashion

Haidarsyah Dwi Albahi — 2025-10-10

Indonesian cultural heritage is an inexhaustible source of inspiration for the creative industries, including fashion. However, many potential historical sites haven’t been fully explored. One such example is the Batujaya Temple complex in Karawang, specifically Candi Jiwa. Candi Jiwa, believed to be a relic from the pre-Tarumanegara kingdom era, has unique architectural characteristics: a minimalist brick structure with a lotus flower-shaped layout, which sets it apart from other temples in Java that are typically made of andesite stone with intricate reliefs. This research on contemporary motif design aims to (1) Identify the visual and philosophical elements of Candi Jiwa’s architecture; (2) Stylize the architectural forms of Candi Jiwa into a motif design; and (3) Apply the resulting contemporary motifs to fashion accessory products. The design methods used include a literature study, visual observation, sketch exploration, form stylization, digitalization, and product mock-up creation. The result of this design process is a series of primary and derivative motifs inspired by the layout, structure, and texture of Candi Jiwa. These motifs were then digitally applied as mock-ups on accessory products such as scarves, vests, hijabs, and tote bags. This design project demonstrates that the simplicity and uniqueness of Candi Jiwa’s form have great potential to be translated into modern, ethnic motif designs with a strong narrative value.

Perancangan Media Publikasi Kampung Seni Jelekong Bandung Jawa Barat

Nia Kaniasari Rukmana — 2025-10-10

Jelekong Art Village in Bandung Regency, West Java, is a cultural destination known as a center for painting and traditional art. However, the potential of art and potential of art and culture in this area has not been fully recognized by the wider community due to the limited effective promotional media. This research aims to design a publication media that can increase the visibility of Kampung Seni Jelekong Art Village, as well as supporting the promotion of local art and culture potential to the community. The method used is a visual communication design approach with qualitative data analysis through interviews and observations to local communities, artists, and tourists. The results showed the need for publication media that is interactive and informative publication media, such as catalogs, brochures, posters. The media is designed with an aesthetic concept that aesthetic concept that is in accordance with the artistic and cultural identity of Jelekong Village. implementation of this publication media, it is hoped that the Jelekong Art Village can be more widely known widely, attract more visitors, and support the sustainability of local art and culture. local arts and culture. This research also contributes to development of design-based promotional strategies for other cultural tourism destinations.

Praktek Latihan Kreativitas Menggambar Untuk Remaja Karang Taruna Komplek Bumi Pasundan – Arcamanik Kota Bandung dengan Metode Bahasa Rupa

Tri Haryotedjo — 2025-10-10

This drawing activity aims to improve the drawing skills of Karang Taruna youth in the Bumi Pasundan - Arcamanik Complex, Bandung City, through training based on the Visual Language Method. Visual Language is a method that prioritizes visual understanding as an effective means of communication in fine arts, so that participants can develop creativity and drawing skills in a systematic and structured manner. This activity was designed by a lecturer in Creative Industries, Telkom University, who has competence in the fields of art and design. The method used in this activity consists of theory and practice sessions that cover the basics of drawing, exploration of shape and color, and the application of Visual Language principles in visual works. In addition, participants are also encouraged to understand visual elements such as lines, planes, textures, and composition to improve the quality of their work. A participatory approach is applied in this training, where participants are actively involved in discussions and drawing exercises based on personal experiences and their surroundings. With this activity, it is hoped that Karang Taruna youth in the Bumi Pasundan-Arcamanik Complex will be more motivated to continue developing their drawing skills and utilizing them in various fields, such as illustration, graphic design, or other creative arts. This creative activity is also expected to become a model for similar training in other communities, to encourage the development of local arts and culture.

Assemblage Art Pada Komunitas Invalid Urban Sebagai Metode Penciptaan Karya Berbasis Benda Temuan

Nandang Gumelar Wahyudi — 2025-10-10

Assemblage art adalah istilah yang digunakan dalam karya seni rupa yang berasal dari teknik penggabungan berbagai objek temuan atau benda-benda bekas sehari-hari yang disusun dan dirakit hingga membentuk kesatuan karya seni. Istilah ini pertama kali muncul awal abad ke-20 dan sering dikaitkan dengan gerakan avant-garde seperti dalam seni Dada dan seni Konstruktivisme. Hal ini dianggap telah mempengaruhi perkembangan seni kontemporer dengan membawa pendekatan yang inovatif terhadap metode penciptaan, materialitas, dan makna objek. Salah satu komunitas seni yang menggunakan teknik assemblage sebagai metode utama penciptaan karyanya adalah komunitas Invalid Urban. Komunitas ini berdiri di Bandung sejak tahun 2000, hingga saat ini aktif mengedepankan projek-projek seni eksperimental berbasis benda-benda temuan yang dirakit secara artistik hingga menjadi kesatuan karya yang utuh dan menarik. Metode yang digunakan dalam penelitian ini adalah dengan metode kualitatif dengan pendekatan Etnografi. Metode ini digunakan untuk memahami perilaku, kepercayaan, dan norma suatu kelompok sosial atau budaya. Metode ini melibatkan pengamatan partisipan, di mana peneliti secara langsung terlibat dalam kehidupan sehari-hari kelompok tersebut. Peneliti berupaya dapat menggali makna dan konsep-konsep yang mendasari assemblage art pada karya Invalid Urban yang dapat memberikan kontribusi keilmuan dalam dunia akademik dan hubungannya dengan perkembangan seni rupa kontemporer saat ini
yang memuat isu-isu sosial, budaya, dan lingkungan yang relevan.

Mural Batik Nusantara Sebagai Eksposure Apresiasi Visual Batik di Dinding Dinsos Jabar

Bambang Meiga Suprayogi — 2025-10-10

Batik motifs in the heritage of cultural arts are cultural assets that become characteristics, strong characters that are identical, of a region. Batik motifs that appear with various symbols of local wisdom of a particular region, show configurations that create a depth of meaning, ultimately providing cultural norms and values that are full of meaning. Along with the phenomenon of diversity, cultural assets of a region become a shared pride of the nation, so that territorial boundaries are no longer an obstacle when batik motifs have a cultural impact for a wider scope, when other regions, or government institutions want to attach this aspect of causality, so that it has a greater impact on uniting brotherhood, the power of nationalism, patriotism, which can be put forward, as an adage of diversity requirements, a representative manifestation in popular mural culture that is applied to the West Java Social Service institution, as part of the exposure of batik motifs as a treasure of civilization and national culture that is to be highlighted there, through the application of mural images of Indonesian batik motifs on the walls of the West Java Social Service.

Transformasi Arsitektur pada Bangunan Kafe di Kawasan Braga

Salma Nur Afifah — 2025-10-10

Braga merupakan kawasan wisata yang di dalamnya terdapat banyak bangunan cagar budaya yang perlu dilestarikan dan dijaga. Seiring tahun yang terus berjalan, jalan Braga mengalami berbagai perubahan pada tampilan fisik baik jalan maupun pada bangunannya. Saat ini, pada bangunannya masih banyak yang bergaya Eropa, walaupun beberapa bangunan terlihat sudah tidak terawat. Bangunan yang masih ada digunakan dengan berbagai fungsi seperti pertokoan, perkantoran, hotel, bahkan restoran. Batasan pada tulisan ini adalah pada lima bangunan kafe yang ada di jalan Braga, yaitu; Toko Buku Djawa, yang kini sudah menjadi Kopi Toko Djawa; Toko Populair, yang kini difungsikan sebagai kafe Jurnal Risa; Maison Bogerijen, yang sudah berganti nama menjadi Braga Permai; Het Snoephuis, yang kini dikenal sebagai Toko Sumber Hidangan; dan Maison Vogelpoel, yang sudah berganti nama menjadi Canary Bakery and Cafe. Pembahasan dilakukan dengan membahas perubahan-perubahan yang terjadi dari kelima bangunan tersebut secara deskriptif.

Strategi Pembelajaran Kecerdasan Spasial Pengolahan Visualisasi Dalam Memahami Mata Kuliah Nirmana 2 Dimensi (Dwimatra)

Yuda Nugraha Jamaludin — 2025-10-10

The Visual Communication Design study program has a 2-dimensional (two-dimensional) Nirmana course as an initial means for students to recognize the basics of visual forms. These elements or elements are explored using basic principles of visual form and design to produce a work that has high aesthetic value. The Nirmana course is one of the initial steps for students to train their sensitivity and develop their creativity. The purpose of this study is to discuss optimal learning strategies so that the objectives are achieved in accordance with the vision and mission of the 2-dimensional (twodimensional) Nirmana course listed in the curriculum. The method in this study applies the classroom action method with the PTK (Classroom Action Research) model approach from Kurt Lewin, which focuses on exploring the role of spatial intelligence teaching strategies on the process of developing student creativity in 2-dimensional (two-dimensional) Nirmana learning. Students in the fields of art and design are closely related to creativity and sensitivity, of course they need preparation in understanding the governance of design elements. Spatial intelligence, namely the ability to visualize ideas related to space and place. Modification of the 2-dimensional (two-dimensional) Nirmana learning strategy with contextual (visual-spatial) and assessment evaluation can be an important point in organizing a conducive classroom atmosphere, improving the quality of learning enthusiasm and improving students’ understanding and creativity to work. The analysis process is carried out through the collection of measurable data.

Application of Gringsing Weaving in Decorative Elements of Devali Restaurant Hotel Four Points Seminyak Bali

Nabila Rifqi Rabbani — 2025-10-10

As tourism develops in the Bali area, it is directly proportional to the increase in city hotels which provide various facilities. Four Points Hotel in Seminyak Bali is a city hotel with a four star classification that provides facilities for guests on holiday and business trips by paying attention to the main function of the hotel and enhancing aesthetics to be applied to every interior element. Aesthetics of Processing (motifs) of Gringsing Woven Fabric as a Decorative Element in De Vali Restaurant Interior Design Planning is research that discusses the transformation and implementation of gringsing woven fabric motifs in various decorative elements of De Vali Restaurant interior planning, through consideration of motifs, functions and symbolic meanings. The transformation of the shape of the motif is carried out through an aesthetic approach in accordance with the principles of design aesthetics, with an emphasis on three elements, namely composition, proportion and color in the material. That is the planning for the interior renewal of the Four Points Hotel Seminyak Bali Restaurant so that it can become an attraction through a contemporary concept.

Mengalami Disharmoni: Penggambaran Kontemplasi Relasi Antara Manusia dan Alam Melalui Drawing

Khayla Indiva Pratanto — 2025-10-10

This article discusses the Drawing series “Experiencing Disharmony” as a reflection on the imbalance between humans and nature due to anthropocentric dominance. Based on mountain trekking experiences, the work depicts human alienation within vast and unpredictable landscapes, emphasizing submission to natural laws. The theoretical approach draws from mimesis, Romantic aesthetics, Apollonian–Dionysian duality, Gregory Bateson’s anti-anthropocentrism, and Raffaele Milani’s concept of landscape as a contemplative space. A research-based art practice is used, with landscape photography as the visual foundation. Layered pastel and charcoal lines on large paper record both physical and inner experiences. A small human figure facing away from the viewer reinforces alienation. Visual disharmony is conveyed through disproportional scale, metaphorical composition, and color limitations as an ecological awareness. Each of the six drawings is subtitled with geographic coordinates to highlight landscape as a reflective site.

“Masagi” Simbolisme Pertahanan Ego Sebagai Ide Penciptaan Karya Seni Lukis Still Life

Edgina Zelda Anindya — 2025-10-10

In Sundanese culture, there is a philosphy called masagi which focuses on perfection and integration of life experience, however with shock, anxiety, and trauma, this perfectionis is difficult to achieve. To protect ego from feelings of anxiety and traumatic experience faced by humans, ego defense mechanisms emerged. Thie seven of ego defense mechanisms is a tool for humans to manage their emotions and inner shocks that are felt when triggered by one thing or another. In this thesis, the author aims to represent Sigmund Freud’s five ego defense mechanisms through symbolism of things or objects that close to human daily life as a place to reflect on one’s identity and personality. The creation methods used in this work include data collection, incubation, elimination and verification stages. Each work created contains a mask as an individual’s personal symbol. This painting is presented with a still life painting approach in a realist style using oil paint on canvas.

Tremendum Et Fascinans Transformasi Wujud Rangda Sebagai Ide Penciptaan Karya Drawing

Putri Rakanita Nugraha — 2025-10-10

Rangda is a Balinese folklore with strong symbolic meaning and a source of inspiration in artistic expression. The creation of this work raises the transformation of the Rangda form as an idea for the creation of drawing works with the approach of interpretation and reinterpretation. Charcoal is used expressively to create a different form of Rangda, by further translating the author’s inner experience into the form of the work. This work will take the form of visual progression panels, with each panel connected to the other to display a complete flow. An expressionist approach is used to express the deep emotion, horrific atmosphere, and transformation of the Rangda figure in the drawing. The charcoal medium was chosen for its ability to present sharp contrasts, expressive, dark, and dramatic strokes. The creation of this work is a process to understand and translate the author’s inner experience, with the hope of realizing it into a ‘horrifying’ and mesmerizing visual work.

“Sareupna” Reinterpretasi Tradisi Pamali Sebagai Penciptaan Karya Seni Lukis

Dilasyaneu Monique — 2025-10-10

Pamali is an oral tradition that acts as a social control that incorporates ethics and values through prohibitions or taboos, especially in children’s daily life, social life, time and place restrictions. The creation of this final project departs from the phenomenon of the fading value of the pamali tradition, especially the prohibition of activities before Maghrib in today’s younger generation. The visuals of this painting use a parody approach by combining elements of horror and facetiouness, as well as combining traditional symbols. Through humorous and witty visual exploration, pamali is no longer presented as something scary, but rather as a reflective cultural dialog and open to reinterpretation of its meaning. The creation method used is the practice-led research method, which is research conducted during the practice of the work, which is divided into three stages: (1) Pre-image stage; (2) Abstract image stage; (3) Abstract image stage. The result of this creation is a total of 3 canvases using acrylic paint, each illustrating the pamali expressions of Maghrib time.

Kemuliaan Sunan Ambu Refleksi Masa Kini Sebagai Ide Penciptaan Karya Lukis

Searsa Nur Aulia Maheswari — 2025-10-10

This creation recontextualizes the noble values of women in Sundanese culture through the medium of painting, by combining the visual strength of traditional culture through a modern aesthetic approach, in this case the mythological figure of Sunan Ambu as the main source of ideas, which is seen as having values of nobility, compassion, wisdom, justice, blessing and help. The figure of Sunan Ambu is metaphorized into a female figure in expressionism style. The process of this work uses the practice led research method, which is the process of creating works through observation, exploration of forms and techniques, strengthening the main idea and implementing the concept so as to produce works as artistic expressions related to the issue of shifting values of women today.

Estetika Kota dan Keterikatan Masyarakat: Analisis Pengaruh Public Art di Malioboro Yogyakarta

Sindu Lintang Ismoyo — 2025-10-10

This study explores the role of public art in shaping community attachment to their environment and its influence on urban aesthetics, focusing on a case study of public art in Malioboro, Yogyakarta. The research employs a mixed methods approach (quantitative-qualitative) with a deductive method to analyze public perceptions of public art and its impact on public spaces. The findings indicate that public art has a positive and significant impact on place attachment, where public perception of these artworks contributes to their emotional connection with the environment. Additionally, the duration and frequency of visits influence how the public perceives public art. Further analysis reveals that public art provides significant aesthetic, social-functional, cultural, and economic benefits, including enhancing visual appeal, tourism attraction, local identity reflection, public education, and job opportunities for art practitioners. This study contributes to the understanding of the role of public art in shaping urban character and social interactions while serving as a foundation for developing policies and practices for public art in other urban areas.