ATRAT: Jurnal Seni Rupa

Product Market Fit Material Serat Rami Sebagai Elemen Material Berkelanjutan Pada Penerapan Desain Furniture

Nahja Akbar Khalid — 2024-10-30

The proliferation of research and applications of sustainable materials within society has seen a notable increase, leading to constant updates in product segments featuring sustainable materials. This trend is further supported by the growing awareness among the public regarding environmental degradation. Ramie fiber is one such sustainable material serving as an alternative to the dependence on cotton materials in the textile industry. Collaborating with Armonie Ronche from Universitas Padjajaran, the author undertook a series of processes to implement ramie fiber in a furniture product, emphasizing the creation of products with good market value. Over a period of four months, the development process resulted in a living room set where a combination of hemp fiber and teak wood served as the primary elements in the design, globally marketable, and modern Jengki-style furniture.

Strategi Konsep Bukaan Untuk View Outdoor Dan Pencahayaan Alami Pada Perancangan Interior Ruang Rawat Inap Rumah Sakit

Andriano Simarmata — 2024-10-31

The hospital inpatient room is a service facility for the patient in their healing process. Inpatient facilities have standardized operational procedures based on national regulations, which sometimes becomes a limitation in developing designs because they must refer to functional suitability. This writing aims to provide a strategy formulation and concept of openings as access to outdoor views and natural lighting in hospital inpatient rooms to optimize the principles of the healing environment. This article was carried out by reviewing design standards for hospital inpatient rooms based on guidelines and regulations issued by the Indonesian Ministry of Health and previous research. The research was carried out by experimenting with the orientation of the facade openings from (East, South and Southeast) to assess the optimal daylighting in the interior. A more in-depth discussion of design strategies and technical implementation in interior design will be discussed..

Penggambaran Kembang Tujuh Rupa dalam Seni Lukis Berbahan Dasar Natural Pigment

Teten Rohandi — 2024-11-05

Flowers have been part of Indonesian tradition since ancient times. The tradition of using flowers as symbolization and funeral or traditional rituals in Indonesia is used in various regions of Indonesia, including in West Java, such as tingkeban, death ceremonies, nyekar, circumcision, grave pilgrimages, folk entertainment, and so on. In the field of modern art, flowers are used as objects in painting. In addition, school, studio and college curricula mostly use Western curricula with modern content, media and techniques. This research was carried out to create works of painting, especially on paper and glass media using natural dyes. The focus of the theme raised is the tradition of the 7 types of flowers in Sundanese culture in general. In this research, qualitative research methods were used. The creation steps can be divided into three main stages, namely; the first stage, in the form of searching for ideas or ideas; the second stage, in the form of deepening or maturation of the idea or ideas; The third stage, namely the final stage, is the realization of the work of art. It is hoped that the results of this research can add to the repertoire of Indonesian fine arts in terms of media, as well as provide an understanding to the wider audience regarding the 7 types flower tradition in West Java.

Citra Tradisi Sunda Dalam Persimpangan Budaya Kontemporer Sebagai Ide Penciptaan Seni Lukis

Anggi Solihah — 2025-01-29

Sundanese traditions, which are rich in cultural and aesthetic values, are now at a cultural crossroads due to the influence of modernization and globalization. This creates challenges and opportunities for writers to maintain cultural identity while responding to changing times. The author observes and analyzes the current situation, this becomes the basic idea for the author to then express it into a painting. The author exploits cultural intersections to create work that not only maintains traditional values but is also relevant to contemporary issues. The process of creating paintings that combine traditional Sundanese imagery with contemporary cultural elements produces a meaningful form of artistic expression. In this way, it is hoped that this work can contribute to understanding cultural dynamics in painting and encourage more artists to explore and integrate traditional cultural heritage in their work.

Representasi Karya Instalasi Nia Gautama “The Raped Love” Dalam Seni Rupa Kontemporer

Novia Dwi Ramadhani — 2025-01-29

This study examines the installation artwork “The Raped Love” by Nia Gautama, which addresses issues of women, trauma, and recovery. With a background in contemporary art as a medium for conveying social messages, this research employs a qualitative method with Roland Barthes’ semiotic approach to analyze signs and symbols within the artwork. The research questions encompass how Nia Gautama represents women’s issues, the meanings of symbols and visual elements in this work, as well as the exploration of themes of female identity, courage, and resilience. The research aims to analyze the visual and narrative aspects of the artwork, understand the symbolism in the context of women’s representation and feminism, and explore themes of female identity, courage, and trauma recovery. The findings indicate that “The Raped Love” effectively utilizes symbolism to convey the complexity of women’s experiences and offers a new discourse on courage and recovery.

Sub Urban : Perubahan Lingkungan Sebagai Inspirasi Pada Karya Seni Lukis

Malena Wati Putri — 2025-01-29

Sub urban is an interaction zone between villages and cities on the outskirts of the city around the main urban center. This Sub urban area is a source of inspiration for the author in creating this work of art, because the increasing number of land clearing for commercial, industrial and residential buildings in Indonesia, especially in areas near the author’s residence, is also an inspiration for this painting. This painting is a form of the author’s concerns and hopes for the sub urban environment so that development can run in balance with environmental conservation. This painting consists of 3 canvases which are presented as one triptych canvas. Overall, it presents the sub urban environment with its elements, and also indirectly in the three canvases depicts changes in the sub urban environment. This painting uses the technique of broken color impressionism. Impressionism has the value of transition, change, momentaryness which is in line with the concept of this painting. Small streaks of color, side by side, pile up on the canvas that blend optically when viewed from afar. The colors used are also bright and contrasting colors. This work offers a new contribution in the context of contemporary painting by combining the classic style of Impressionism with modern themes about the changing sub urban environment.

Salamon Market Alternatif Pasar Malam Di Lingkungan Urban

Ari Winarno — 2025-01-29

The following written presentation is a track record of Community Service (PKM) activities that took place at Taman Griya Mitra Desa Cinunuk Cileunyi Bandung. The activities carried out were to optimize the function and role of a park at the gate of the housing complex, which has existed for a long time but has not been well maintained and only one year ago received assistance from the government in its arrangement and development. Since being renovated and repaired with the addition of huts, swings, slides and scales as well as the arrangement of ornamental trees, this park has been widely visited and is a representative children's playground. Through the implementation of the night market in the park environment, it will be able to increase the utility value of the park which is not only for playing but also as a place for art and improving the economy of the surrounding community. Through cooperation between the Community, Entrepreneurs (UMKM) Universities (through PKM activities) Related Agencies, the Cultural Conservation Center can realize the assistance of the Salamon Market night market as a means of creativity and growing the community's economy. With the scientific approach of management and procedures in managing an exhibition as the basis for organizing a market, a representative market event will be realized. The result of organizing Salamon Market is the realization of collaboration from various elements in making the market event a success in a public park and urban environment. The public's response can be seen from the number of participants in filling the art performance event, participating in stalls, watching the Bioling film screening, participating in healthy gymnastics, practicing batik, coloring motifs for children, and a batik fashion show for residents.

Transformasi Motif Batik Bilik Garut dalam Pengembangan Tenun Tradisional

Mira Marlianti — 2025-01-29

This study aims to analyze the transformation of the Bilik Garut batik motif in the context of traditional weaving development. Bilik Garut batik is known as one of the distinctive motifs from the Garut region, carrying significant historical and cultural value. Using a descriptive qualitative approach, this research explores the process of adapting and innovating the motif into traditional weaving products. Data were obtained through field observations, interviews with artisans, and literature reviews related to batik and traditional weaving. The findings show that the transformation of the Bilik Garut batik motif into weaving introduces a new aesthetic dimension that not only preserves local identity but also enhances the economic value of weaving products. This motif adaptation also plays an important role in preserving regional cultural heritage while creating more innovative products that appeal to both local and international markets. The study suggests the need for collaboration between designers, artisans, and local governments in promoting culturally-based products, while also strengthening the creative economy rooted in traditional heritage.

Futatsu No Bunka: Penciptaan Ready To Wear Deluxe Bergaya Kimono Kurotomesode Dengan Aplikasi Motif Wayang Rama Shinta

Giazkha Fatma Delaneirabudy — 2025-01-29

This research discusses the development of new clothing by combining two different cultural icons, namely the Kurotomesode Kimono from Japan and the Rama Shinta Wayang from Indonesia. This design is based on the desire to create a fashion work that combines the essence of the two cultures, namely a ready to wear deluxe work with a kurotomesode kimono style and the application of the Wayang Rama Shinta motif, this also shows a unique combination of traditional Japanese beauty and the richness of Indonesian culture. The method used is exploration, design, and realization, with a focus on embroidery techniques on the Wayang Rama Shinta motif. The result is six fashion works that will be exhibited at the 2024 Jogja Fashion Parade.

Estetika Motif Nyi Pohaci: Interpretasi Mitos Dewi Sri Dalam Desain Motif Kontemporer

Haidarsyah Dwi Albahi — 2025-01-29

This study aims to examine the Dewi Sri myth’s aesthetic value as a source of inspiration for digital creations featuring Nyi Pohaci motifs. The myth of Dewi Sri, the deity of fertility and rice in Indonesian agrarian culture, plays a significant role in illustrating the spiritual and cultural traditions of the society. This study employs a contemporary aesthetic methodology created by Prof. Dharsono. It is a multifaceted methodology that examines how form, colour, symbolism, emotions, and personal expression are all analyzed in this procedure of creating art. There are four stages to the study process for developing motif designs: 1) exploration, 2) experimentation, 3) contemplation, and 4) realization. This research also examines the socio-cultural context in which the myth of Dewi Sri was developed, resulting in an interaction between tradition and modernity in the creative process of labour. According to the research findings, Nyi Pohaci’s contemporary design has the potential to facilitate a dialogue between the past and the present, as well as to reflect aesthetic attractiveness. The design’s visual structure is intended to convey messages of harmony, balance, and fecundity about nature, which are pertinent to the current environmental and social issues.

Ready to Wear Deluxe Bergaya Holo-Cottagecore Inspirasi Troides Helena dengan Teknik Embellishment dan Painting

Meida Putri Nurrahayu — 2024-12-10

The creation of ready to wear deluxe inspired by Troides helena butterflies has made a major contribution to the development of fashion innovation. The beautiful shape of the wings and their rarity encourage craftsmen to create creative products. The creation of this work combines technological developments in the form of Holograms and Cottagecore style. The use of this style is considered to be able to provide suitability to the concept with a rustic, natural and modern theme which is adapted to the Trend Forecast, Co-Exist: 2023-2024. The work approach also plays with various elements such as color, shape, pattern and motif from the use of embellishment techniques and painting techniques. From several collections of ideas, concepts and processes, the work is realized through a creation method which contains three stages, namely exploration, design and realization. A total of two (2) looks were presented in the creation of this work.