https://jurnal.isbi.ac.id/index.php/awilaras/issue/feed 2025-06-30T00:00:00+07:00 Ega Fausta jurnalawilaras@gmail.com Open Journal Systems <div> <table class="data"> <tbody> <tr valign="top"> <td><strong>Journal title</strong></td> <td>:</td> <td><strong>JURNAL AWILARAS: JURNAL MUSIK BAMBU</strong></td> </tr> <tr valign="top"> <td><strong>Initials</strong></td> <td>:</td> <td><strong>JAL</strong></td> </tr> <tr valign="top"> <td><strong>Frequency</strong></td> <td>:</td> <td><strong>Two issues a year (June and December) </strong></td> </tr> <tr valign="top"> <td><strong>Editor-in-chief</strong></td> <td>:</td> <td> <p><a href="https://scholar.google.co.id/citations?user=0eTptjkAAAAJ&amp;hl=en"><strong>Ega Fausta, M.Sn.</strong></a></p> </td> </tr> <tr valign="top"> <td><strong>Publisher</strong></td> <td>:</td> <td><strong><a href="https://isbi.ac.id/lembaga-penelitian-dan-pengabdian-kepada-masyarakat-lp2m/" rel="cc:attributionURL dct:creator">Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LP2M) ISBI Bandung</a></strong></td> </tr> <tr valign="top"> <td><strong>Contact us</strong></td> <td>:</td> <td><strong>jurnalawilaras@gmail.com </strong></td> </tr> <tr valign="top"> <td><strong>Online ISSN</strong></td> <td>:</td> <td><strong>2988-4098</strong></td> </tr> <tr valign="top"> <td><strong>Print ISSN</strong></td> <td>:</td> <td><strong>2407-6627</strong></td> </tr> </tbody> </table> <strong>______________________________________________________________________________________________________</strong></div> <div> <div><strong>JURNAL AWILARAS</strong> adalah jurnal yang diterbitkan oleh jurusan musik ISBI Bandung. Naskah yang diterbitkan berbasis penelitian musik atau karya seni musik dan dituangkan dalam karya ilmiah yang memuat persoalan musik di masyarakat dengan menaruh perhatian khusus pada penciptaan dan pengkajian musik di Indonesia.</div> </div> https://jurnal.isbi.ac.id/index.php/awilaras/article/view/4237 2025-06-27T10:24:15+07:00 Farhan Setiawan - farhansetiawan.7701@gmail.com I Komang Kusuma Adi komangadi@gmail.com Satria Mulya satriamulya@gmail.com

<p><em>Kolotok, originally a livestock marker used in rice fields, has been increasingly marginalized due to modern technological advances that replace cattle and buffalo with mechanical plowing. The disappearance of its distinctive sound has not only silenced the dynamic atmosphere of the paddies but also eroded the agrarian cultural identity of the Ciamis community. This study aims to explore the transformation and innovation of kolotok into a new bamboo musical instrument through the composition “Kolotouch”. The method combines field observation, organological experimentation, acoustic measurement, and the application of Pande Made Sukerta’s text and context theory. The result is the Kolbam, a modified kolotok with a bamboo tube design that produces unique timbres according to the chamber size, integrated into modern bamboo music repertoire. This creation demonstrates that local instrument innovation can revive agrarian cultural values while enriching contemporary musical expression.</em></p>

2025-06-30T00:00:00+07:00 Copyright (c) 2025 Farhan Setiawan -, I Komang Kusuma Adi, Satria Mulya https://jurnal.isbi.ac.id/index.php/awilaras/article/view/4240 2025-06-28T00:02:05+07:00 Farid Yoelhian Nasution faridyoelhian420@gmail.com Irdhan Epria Dharma Putra irdhan@fbs.unp.ac.id

<p><em>The purpose of this study is to analyze the electric guitar techniques used by Mateus Asato in his version of How Deep Is Your Love. This research uses a qualitative descriptive method, with the researcher as the primary instrument, supported by tools such as an electric guitar, a laptop, Sibelius software, and YouTube. Data were collected through direct observation of Mateus Asato’s performance videos on YouTube and through document analysis, including scores and video recordings of his interpretation of the song.The results reveal that Mateus Asato uses a variety of distinctive electric guitar techniques, including hybrid picking, slide, bending, vibrato, legato, hammer-on and pull-off, chord melody, palm muting, and artificial harmonics, combined with expressive dynamics and articulation. These techniques contribute to a performance that is emotionally rich and musically nuanced, demonstrating a high level of technical skill and interpretative depth. The findings are expected to serve as a valuable reference for guitarists looking to expand their technical skills and deepen their understanding of artistic expression in song interpretation.</em></p>

2025-06-30T00:00:00+07:00 Copyright (c) 2025 Farid Yoelhian Nasution, Irdhan Epria Dharma Putra