TARI TOPENG TUMENGGUNG BARANGAN DI SANGGAR SENI PANGGELAR BUDHI
Abstract
ABSTRACT
TUMENGGUNG BARANGAN MASK DANCE AT THE PANGGELAR BUDHI ART STUDIO, June 2023. The existence of the Barangan Tumenggung Mask Dance at Panggelar Budhi Art Studio led by Mbah Karta is certainly important to study. This is due to several problems, namely the structure of the Barangan Tumenggung Mask Dance is different from the other Tumenggung dances, because it does not have a Dodoan, but only performs Rancagan and Munggah Terusan. The Tumenggung Mask Dance is considered to have its own uniqueness among other wanda which can be seen in terms of the costume and musical accompaniment. In addition, Tumenggung Mask Dance is an inspiration source of dances in Priangan and has never been studied before. Based on these problems, the purpose of this research is to have an explanation on the structure of Barangan Tumenggung Mask Dance. This qualitative research uses a theoretical framework of Iyus Rusliana with a descriptive analysis method through the steps of collecting data in the field and literature studies. Based on the results of the research, the structure of Barangan Tumenggung Mask Dance is formed of two main elements, namely "Dance Content" which includes the background of the story, description and theme, name or title of the dance, character and its philosophical elements, and "Dance Form" which includes the form of performance, choreography, music (karawitan) and puppetry (pedalangan), make-up and costume, properties and those related to stage design.
Keywords: Barangan Tumenggung Mask Dance, Panggelar Budhi Studio, Dance Structure.
Keywords
Full Text:
PDFReferences
Alfiyanto, A. (2022). CARA MENCARI DAYA: METODE LITERASI TUBUH WAJIWA DALAM TARI KONTEMPORER ANAK-ANAK. Jurnal Seni Makalangan, 9(1).
Asyari, Pradasta, and Lilis Sumiati. "Struktur Tari Wayang ‘Antareja’Gaya Sumedang Hasil Transformasi Iyus Rusliana." Jurnal Seni Makalangan 7.2 (2021).
Berry, John W dkk. 1999. Cross-cultural Psychology: Research and Application. (Terj. Edi Suhardono “Psikologi Lintas-Budaya: Riset dan Aplikasi”). Jakarta: PT Gramedia Pustaka Utama.
Caturwati, Endang. 2000. R.Tjetje Somantri (1892-1963) Tokoh Pembaharu Tari Sunda. Yogyakarta: TARAWANG.
Dyah, Ayoeningsih. 2007. “Makna Simbolis pada Unsur Visual Kostum Tari Topeng Babakan Cirebon Keni Arja di Desa Slangit”. ITB J. Vis. Art, 1 (2), 224-245. https://journals.itb.ac.id/index.php/jvad/article/view/660
Fitriani, Sinta dan Nunung Nurasih. 2020.”Tari Topeng Tumenggung Jinggananom Gaya Slangit”. Jurnal Seni Makalangan, 7 (2), 92-106. https://jurn al.isbi.ac.id/index.php/makalangan/article/view/1415
Hidayani, Nur I dan Restu L. 2019. “Analisis Gaya Slangit Tari Topeng Tumenggung di Desa Slangit”. Jurnal Seni Tari, 8 (1), 21-30. https://journal.unnes.ac.id/sju/index.php/jst/article/view/30749
Istikomah, Dwi Aprilianti. 2021. “Tari Topeng Klana Bandopati di Sanggar Purwa Kencana Kecamatan Losari Kabupaten Cirebon. Skripsi. Bandung: ISBI.
KBBI, 2016. Kamus Besar Bahasa Indonesia (KBBI). [Online] Available at: https://kbbi.kemdikbud.go.id/
Jatnika, Asep, and Riky Oktriyadi. "IBING TAYUB KHAS KASUMEDANGAN SEBAGAI INSPIRASI GARAP TARI RINGKANG MENAK." Jurnal Seni Makalangan 9.2 (2023).
Lasmiyati. 2011. “Sejarah Pertumbuhan dan Perkembangan Tari Topeng Cirebon XV – XX”. Jurnal Patanjala, 3 (3), 472-487. http://ejurnalpatanjala.kemdikbud.go.id/patanjala/index.php/patanjala/article/view/263
Lenggani, D. S., & Turyati, T. (2021). TARI BADAYA WIRAHMASARI RANCAEKEK. Jurnal Seni Makalangan, 8(1).
Lestari, Lia, and Riyana Rosilawati. "PENYAJIAN TARI RATU GRAENI SEBAGAI PERWUJUDAN BENTUK GARAP GUBAHAN TARI." Jurnal Seni Makalangan 9.2 (2023).
Marianto, M. Dwi. 2011.Menempa Quanta Mengurai Seni. Yogyakarta: ISI Yogyakarta.
Martino, Tino. 2019. “Makna Simbolik Pertunjukan Tari Topeng Klana Cirebon Gaya Palimanan“. Skripsi. Semarang: UNS.
Purnama Eksan, Dadi. 2020. Wali Nusantara Perjalanan Hidup dan Teladan Para Kekasih Allah. Yogyakarta: Cemerlang Publishing.
Risyani. 2009. Menjadi Priangan: Transformasi Budaya Topeng Klana Cirebon Karya R. Nugraha Soediredja. Bandung: Sunan Ambu STSI Press.
Ross, Laurie Margot. 2009. “Journeying , Adaptation, and Translation Topeng Cirebon at the Margins”. Disertasi. Barkeley: University of California.
Rusliana, Iyus. 2019. Tari Wayang. Bandung: Jurusan Tari STSI.
Salsabila, K., & Rosilaw, R. (2021). Kreativitas Arni Kharunia Pada Tari Nyanting Ing Bantenan Di Sanggar Harumsari Pandeglang-Banten. Jurnal Seni Makalangan, 7(2).
Setiawan, S., & Jatnika, A. (2021). TARI GANDAMANAH. Jurnal Seni Makalangan, 8(1).
Suanda, Toto Amsar. 2009. Topeng Cirebon Bahan Ajar. Bandung: Jurusan Tari STSI.
Sugiyono. 2019. Metode Penelitian Kuantitatif Kualitatif dan R&D. Bandung: Alfabeta.
Sujana, Anis. 2002. Tayub Kalangenan Menak Priangan. Bandung: STSI Press.
Sukarta, Maret-April 2021, “Komunikasi Pribadi”, Bongas, Majalengka.
Sujana, Anis. 2015. “Kajian Visual Busana Tari Topeng Tumenggung KaryaSatir Wong Bebarang Pada Masa Kolonial”. Jurnal Panggung, 25 (2), 138-149. https://jurnal.isbi.ac.id/index.php/panggung/article/view/4
DOI: http://dx.doi.org/10.26742/mklng.v10i1.2704
Refbacks
- There are currently no refbacks.
Copyright (c) 2023 Intan Rosnia, Lina Marliana Hidayat
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Jurnal Seni Makalangan
Program Studi Seni Tari
Fakultas Seni Pertunjukan
Institut Seni Budaya Indonesia (ISBI) Bandung
Jl. Buah Batu No.212, Cijagra, Kec. Lengkong, Kota Bandung, Jawa Barat 40265
Phone: (022)7314982, Fax: (022) 7303021
E-mail: jurnal.makalangan@gmail.com
p-ISSN: 2355-5033 | e-ISSN: 2714-8920
View My Stats