TARI GATOTKACA GANDRUNG KARYA R. ONO LESMANA KARTADIKOESOEMAH DI PADEPOKAN SEKAR PUSAKA SUMEDANG
Abstract
ABSTRACT
GATOTKACA GANDRUNG DANCE BY R. ONO LESMANA KARTADIKOESOEMAH AT PADEPOKAN SEKAR PUSAKA SUMEDANG, June 2023. Gatotkaca Gandrung Dance by R. Ono Lesmana Kartadikoesoemah was created in 1957. In the show there are four characters, namely; Gatotkaca, Periwa Perwati, and Cakil. The structure of the performance is divided into three scenes in the form of a pethilan dance which depicts Gatotkaca's passion for PeriwaPergiwati as the incarnation of Cakil. This research is limited to the problem of how the aesthetics of the Gatotkaca Gandrung dance by R. Ono Lesmana Kartadikoesoemah at Padepokan Sekar Pusaka Sumedang. The basis of the concept of thought is using instrumental aesthetic theory, because it is considered relevant as a scalpel in discussing problems. To implement the theory used descriptive analysis method. This research is qualitative in nature with data collection carried out through literature, observation, interviews, documentation and data analysis. Based on the results of the analysis, it can be concluded that in terms of aesthetics, this dance consists of dance form, dance weight, and appearance. The form of dance includes form and structure, including choreographic
structures, dance accompaniment structures, dance make-up, dance dress and dance properties. The weight of the dance includes the idea of creation, atmosphere and message of the dance. Appearance includes talents,
skills, and means. These three elements continue to form a dance aesthetic which is the identity of the Gatotkaca Gandrung dance.
Keywords: Gandrung Gatotkaca Dance, R. Ono Lesmana Kartadikoesoemah, Instrumental Aesthetics.
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DOI: http://dx.doi.org/10.26742/mklng.v10i1.2710
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