Kuasa Kolase dalam Ekologi Estetika Postmodern

Nandang Gumelar Wahyudi

Abstract


Nowadays, in the field of art, talking about (art) collage is more than just a technical ma" er to attach various other elements - beyond the conventions of painting - on a piece of canvas. It is more than the project that Picasso and Braque have been started in the exploration of experimental cubism to have
the new visual images. Collage today is not merely an expression of rebellion as Kurt Schwi"ers, Raul Hausmann or Hannah Hoch did in the spirit of anti-art that developed in Dada. Nowadays, Collage even transcends the iconic composition prowess ad world of Richard Hamilton or Eduardo Paollozi in pop-art. Thus, Collage in the art map inside postmodern era could be some sort of perspective, a way of thinking and looking, spirit, or footing (“blue-print”)/concept, even the idea of itself. Collage is probably a vast stretch of landscape civilization that celebrates itself among history, knowledge, technology, gaming, market, hospital, war, television and popular culture fanfare. Collage today are the images that were lined-piled around us as a reality that is layered, that seemed real and visible in everyday life - and we’re in it as an inevitable part of the composition of the layers inside collage umpteenth great life.

Keywords: art, collage, popular culture, postmodern


Full Text:

PDF

References


Bertens, Hans. 1995. The Idea of The Postmodern: A History. London: Routledge.

Feldman E, B. 1967. Art As Image and Idea. New Jersey: Prentice Hall.

Fox, Howard. 1987. The Post-Avant- Garde: Painting in the Eighties, ed. Charles Jencks. London: Academy Editions.

Greenberg, Clement. 1958. Collage, Art and Culture, substantially revised from an

article in Art News, September.

Jencks, Charles. 1989. What is Post-Modernisme? New York: St Martin’s Press.

Leland, Nita Virginia Lee Williams. 1994.“One”, Creative Collage Techniques. [s.l]: North Light Books.

Piliang, Yasraf Amir. 1998. Hipersemiotika Tafsir Cultural Studies Atas Matinya Makna. Yogyakarta: Jalasutra.

Soedarso, Sp. 1990. Sejarah Perkembangan Seni. Yogyakarta: Saku Dayar Sarana.

Strinati, Dominic. 1995. An Introduction to Theories of Popular Culture. London: Routledge.

Subandi, Idi Ibrahim. 1997. Lifestyle Ecstasy; Kebudayaan Pop Dalam Masyarakat Komoditas Indonesia. Yogyakarta: Jalasutra.

Taylor, Brandon. 2005. Collage: The Making of Modern art. London & New York: Thames & Hudson.

webtografi:

https://serbasejarah.wordpress.com/post modern.doc.21/05/2016

http://www.artic.edu/aic/collections/exhibitions/VictPhotoColl/overview.15/11/2015

https://fordiletante.wordpresscom/2008/04/15/kebudayaan-postmodern-menurut-jean-baudrillard. 17/11/2015

http://mavemagz.com/pop-art-desain-populer-yang-penuh-perjalanan.html.20/11/2015

http://wikisource.org/wiki/Dada_Manifesto.20/11/2015

www.sugarlift.com/-a-brief-history. 20/11/2015 http://www.saatchiart.com/account/ artworks/3206/05/05/2016

http://www.modernedition.com/ contemporary-art-collage.html/16/05/2016

http://aberrantart.com/16/05/2016




DOI: http://dx.doi.org/10.26742/pantun.v1i1.744

Refbacks

  • There are currently no refbacks.


Creative Commons LicenseThis work is licensed under a Creative Commons Attribution 4.0 International License.

 

Print ISSN (pISSN)
:
 
Online ISSN (e-ISSN)
:
 

Lembaga Pengindex Jurnal Pantun:

 

 
 
 
Google Scholar
BASE (Bielefeld Academic Search Engine)
 
PKP Index  
Portal Garuda DIKTI 
Indonesian One Search (IOS)
 
Crossref