PANTUN: Jurnal Ilmiah Seni Budaya

Kotekan Technique As An Idea For The Creative Process In Music Creation

Aris Ardiansyah — 2024-12-31

The creative process in the creation of musical works is a multifaceted journey that begins with the acquisition of ideas or inspirations. These ideas are transformed into musical concepts, which are then meticulously developed into compositions that are played using a variety of instruments, each representing the unique vision of the creator or composer. This transformation reaches its conclusion in the realisation of the compositions in the form of live performances, which may be experienced as both audio-visual experiences and music recordings. It is also noteworthy that this creative process has the additional function of serving educational purposes. Such activities have the potential to encourage collective action and community engagement, thereby strengthening social solidarity among participants. This research employs an interpretative qualitative methodology, drawing upon literature studies, audio-visual sources, and the empirical experiences of the researcher as both a musician and educator in the field of music. This interpretative approach entails a meticulous examination of selected and organized data through the triangulation of multiple sources. The interpretative phase is enhanced by a synthesis of creative processes and theoretical frameworks, thereby facilitating a comprehensive understanding of the complex relationship between musical creation and its cultural implications. This study illuminates the significance of the creative process in both individual and communal contexts, demonstrating its capacity to shape musical identity and foster social connections.

Visual Contemporary Painting Based on The Visual Appropriation of Abhimanyu’s Death

Ida Bagus Rekha Bayutha — 2024-12-31

The concept of visual appropriation involves using elements borrowed from others to create a work of art. In this research, appropriation entails utilizing images and narrative context from various sources to depict Abhimanyu’s death on the 13th day of the Bharatayuda war. This article explains the method for creating the visual appropriation of Abhimanyu. The process of creating visual appropriation is based on exploring, designing, and realizing craft arts, incorporating digital sketching, manipulation, media and technique discovery, imprimatura, collage, cropping, coloring, and finishing. The creation process involves identifying visual forms and their relationship to current phenomena and adding new meanings that alter the original context. The aim of creating contemporary painting is to make young people aware of the challenges or obstacles of the current situation and the need to develop strategies to deal with them. Resulting works aim to juxtapose visual references to provoke thought and reinterpretation of their meaning for the audience.

Cultural Diplomacy in Films by Garin Nugroho

Muhammad Abdul Aziz Arif Bawono — 2024-12-31

This article conducts an in-depth examination of Indonesian cultural elements in Garin Nugroho’s films, using Joseph Nye’s theory of cultural diplomacy as a conceptual framework. Through the analysis of films such as “Daun Di Atas Bantal” and “Opera Jawa,” the article aims to identify and explore the local cultural elements that Nugroho integrates into his film narratives. This research focuses on how Garin Nugroho presents traditional Indonesian cultural elements and how this contributes to international understanding of Indonesia’s cultural richness. By applying the theory of cultural diplomacy, the article highlights the importance of cultural representation in films as a form of soft power capable of building a positive image of Indonesia on the global stage. The study also discusses how Garin Nugroho’s films play a role in cultural diplomacy, serving not only as a medium of entertainment but also as an educational tool and cultural promotion. The article supports the hypothesis that cultural diplomacy plays a crucial role in building understanding and appreciation of a nation’s cultural wealth, as well as strengthening international relations through cultural exchange. Thus, this article functions not only as a critical analysis of Garin Nugroho’s films but also as a case study demonstrating how cultural diplomacy can be effectively used to promote and introduce Indonesian culture to international audiences. The findings of this research are expected to contribute to film studies, cultural diplomacy, and the development of future strategies for promoting Indonesian culture.

Glorify the Lord Ensemble’s Existence and Strategy in the Indonesian Music Industry

Nida Ulhanifah Setiadi — 2024-12-31

Indonesia’s music industry has undergone a significant transformation from the vinyl disc era to the digital era, with new challenges and opportunities in maintaining the existence of music groups. This research aims to explore Glorify the Lord Ensemble’s journey in gaining attention in the music industry and analyse their strategies for long-term sustainability. Qualitative research methods were used, including observation, interviews, and documentation studies to collect data from rehearsals, performances, and internal group interactions. The results revealed that Glorify’s initial appeal came from their founder, Daud PM Saba, who blended pop, rock, R&B soul, and black gospel genres with signature choreography, attracting the attention of renowned artists and fans. Their sustainability strategy involves regular activities for members and active publications on social media, maintaining their existence during the passing pandemic and in the midst of music industry competition. Recommendations from this research are to continue adapting innovations in content, and social media interactions, as well as maintaining the quality of rehearsals, and collaborations that strengthen their reputation. This research provides important insights into successful existence strategies in the competitive music industry.

The Role of Prince Ronggosukowati in the History and Culture of Pamekasan

Noviyanti Supriliyanti — 2024-12-31

Folklore serves as a bridge connecting generations and allows communities to maintain their cultural heritage amidst changing times. Folklore is a national cultural heritage that has values that can be taken and applied in the present and the future, as well as the spread of folklore by word of mouth. This study aims to describe the role and values contained in Prince Ronggosukowati, an important figure in the history and culture of Pamekasan. The research method used in this study is field research. Data collection techniques include literature studies, documentation, and interviews. The findings show that the role of Prince Ronggosukowati has a significant influence on the cultural and historical identity of Pamekasan, as well as contributing to the fields of culture, education, and religion. His life story is reflected in various Madurese literary and folklore works, making him a symbol of pride and community identity. The historical and cultural perspective on Prince Ronggosukowati shows the importance of the role of local leadership in shaping the cultural character of a region, which is in line with the view that folklore contains values that apply in society and need to be introduced to the younger generation. Prince Ronggosukowati’s influence is not only seen in infrastructure and government, but also in the preservation of cultural traditions that are the identity of the Pamekasan community.

Analysis of the Effect of DJ Transition Techniques on Discotheque Visitor Behavior: A Case Study of Entrainment at Panic Paradise Club

Samsul Rizal — 2024-12-31

The phenomenon of trance that occurs when watching music performances, especially traditional music in Indonesia, is common and is often associated with the supernatural, beliefs, and other mystical aspects. However, scientific research has provided an explanation for this phenomenon. Entrainment, a condition in which the body of a living being is synchronized with the music’s emitting source (oscillator), is the scientific explanation for the phenomenon. This research focuses on how music in nightspots (discos) can make listeners reach the entrainment phase. The entrainment phase can be achieved if the beat of the music is stable when perceived by the listener. The researcher hypothesized that music transition techniques are very influential to achieve the entrainment phase. In addition, the individual and collective behavior of participants can influence other discotheque visitors. This research uses a qualitative method with a grounded theory approach. Data were collected through field observations with a number of participants in two trials. The first test (pre-test) was conducted with music from a disc jockey who was less proficient in transition techniques, while the second test (post-test) was conducted under the opposite conditions. The results showed that the participants were able to achieve the third phase of entrainment and affect other visitors collectively, which was not the case in the pre-test. This shows that entrainment can be achieved with effective music transition techniques from a disc jockey, and an individual’s entrainment state can influence other discotheque patrons both individually and collectively. The successfully achieved entrainment phenomenon is also able to explain the phenomenon of trance influenced by music.

The Influence of Visual Art in Irwan Jamal’s Theatre Artistic Vision

Yeni Sari Oktavianti — 2024-12-31

Irwan Jamal, the founder of the Pictorial Theatre and the Casanova Theatre, is an artist who has studied several art disciplines at once, including theatre, visual arts, literature, and music. Genetic influences from his father’s family, who are skilled in drawing, as well as his education and experience in theatre, have resulted in a form of theatre that is rich in visual expression. This is based on Sigmund Freud’s theory of primary creativity which grows and becomes the foundation of one’s creativity. This article will also discuss and analysed the influence of the visual arts on Irwan Jamal’s vision of theatrical creations in terms of the several works he has directed, both theatrical productions as well as films and music videos. Irwan Jamal’s artistic vision and expression, which was later categorized as a form of “expressionist theatre” was very strongly influenced by the fine arts that Irwan Jamal also studied. The method used to analyse Irwan Jamal’s works (theatre and music videos) will also use the formal structure criticism method, which is usually used for the analysis of a painting. The presentation of critical works uses the method introduced by Edward S Feldman.