PASINDEN: AWAL KEHADIRANNYA DALAM PERTUNJUKAN WAYANG GOLEK

Tarjo Sudarsono

Abstract


In 1930 Sinden became part of the Wayang Golek show. This phenomenon is the creativity of the puppeteer Baraja who was not satisfied with the conventional wayang gol~k performance. Finally Sinden presented songs that was entertainment in Wayang Golek show performances. Furthermore, the other puppeteers imitated him and in the end the sind~n and the puppeteers became a unity called the "Dwi Tunggal" who complemented and worked together in the performance. In the beginning, the presence of sind~n in the Waang Golek show gave the famous sind~n in the community. They have the name code (popular name) and the song that characterizes them. This phenomenon shows the dynamism of a traditional form ofperformance in the supporting community.


Keywords


Dalang, Pasinden, wayang golek

References


Affandie, Moech A Moech A. 1949.

Djaja Swara Soenda. Bandung: Peroesahaan Doea R.

Kost, K.S. "Dari Ronggeng Sampai J urukawih. Buletin Kebudayaan Jawa Barat Kawit No. I 6. tahunl 978.

Masturoh, Titin. "Unsur Garap Pakeliran Padat Lakon Alap-Alapan Suksesi Dal am Kalasinema Karya Sumanto." Lakon Vol III No. I Juli

Salmun, M.A. 1961. Padalangan.

Jakarta: Balai Pustaka.

Suparli, Lili. "Buku Ajar Sekar

Kepesindenan I." Jurusan

Kar,.awitan STSI Bandung.

Suwarno, Bambang. "Situasi Pakeliran

Wayang Kulit Purwa Sekarang." Lakon Vol III No.I Juli 2006.




DOI: http://dx.doi.org/10.26742/jp.v5i1.1877

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Program Studi Seni Karawitan - Fakultas Seni Pertunjukan
Institut Seni Budaya Indonesia (ISBI) Bandung
Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021

Kontak
Gempur Sentosa
Tlp/Whatsapp. 081931254247
Email: gempur.sentosa@isbi.ac.id