Triadik of Yuda Wiyata Property

Lilis Sumiati, Asep Jatnika

Abstract


Soder is one property that is always integrated in every traditional dance. Likewise, in Yuda Wiyata dance, soder becomes an icon considering the design pattern which is made different from other traditional dances. Therefore, soder is the main attraction to be studied about the meaning of the design. The Triadic Semiotics theory is chosen as the disclosing tool. Based on this theory, it leads to a qualitative approach with the Participation Action Research (PAR) method. The Triadic Semiotics produces study of soder in the realm of object, representamen, and interpretant. The object discusses physical form, representamen is associated with concepts/ ideas, while interpretant expresses the meaning. Soder which is formed in braiding and joined with nylon thread is called Yuda Pecut. This means the whip weapon used in war as a visual sign that represents the unity of forms, concepts, meanings and messages performed in Yuda Wiyata dance.

Keywords: Soder, Yuda Wiyata Dance, Triadic Semiotics.


Full Text:

PDF

References


Danesi, Marcel. 2012. Pesan, Tanda, dan Makna. Yogyakarta: Jalasutra.

Giddens, Anthony. 2010. Teori Strukturasi: Dasar-dasar Pembentukan

Struktur Sosial Masyarakat. Penerjemah: Maufur & Daryatno. Yogyakarta: Pustaka Pelajar.

Hawkins, Alma M. 1991. Moving from Within: A New Method for Dance Making. A Cappella Books.

Jonathan, Rutherford. 1990. Identity: Community, Culture, Difference.

London: Lawrence & Wishart.

Langer, Suzanne K. 1988. Problems of Art. Terjemahan FX. Widaryanto.

Bandung: Akademi Seni Tari Indonesia Bandung.

Norman K Denzin. 2009. Handbook Qualitative Research. Translater Dariyatno dkk. Yogyakarta: Pustaka Pelajar.

Marcel, Danesi. 2012. Pesan, Tanda, dan Makna: Buku Teks Dasar Mengenai Semiotika dan teori Komunikasi, Yogyakarta: Jalasutra.

Miroto, Martinus. 2017. Karya Cipta Seni Pertunjukan: Riset Artistik- Koreografi di Lingkungan Akademis. Yogyakarta: JB Publisher.

Rusliana, Iyus. 2016. Bahan Ajar Tari Wayang, Bandung: Jurusan Tari STSI Bandung.

Sujana, Anis. 2016. Selendang dalam Kehidupan Masyarakat Sunda: Dulu dan sekarang (Tinjauan Fungsi Telisik da Estetik). Orasi Ilmiah Jabatan Guru Besar Bidang Ilmu Seni Rupa Pertunjukan. Bandung: ISBI Bandung


Refbacks

  • There are currently no refbacks.


e-Prosiding Pascasarjana ISBI Bandung Indexing:

      
Google Scholar