Transformation of Parang Motifs in Contemporary Batik Fashion

Abstract

In the past, classic batik with parang patterns was the clothing of nobles,
two motif variants of which became the regalia of Javanese kings. This paper is the
result of qualitative research based on the theory of Iconography and Elegant Design,
with the aim of mapping the movement of parang batik. The basic characteristics of
parang batik are 45 degree ornamental formations, mlinjon (melinjo fruit ornament),
and additional ornaments as the basis for naming the motifs. In Javanese tradition,
parang batik is a symbol of leadership and order. After Indonesia's independence,
batik experienced openness in conception, creation and function. Parang batik has
also experienced fundamental transformations, especially in: visual representation,
pragmatic, social and aesthetic functions, as well as the symbol system and its
meaning. In the contemporary era, parang batik is able to strengthen the articulation
of a person's appearance to appear more dynamic, elegant and dashing.
Keywords: Parang Batik; Java; Contemporary