DUNIA SENI RUPA INDONESIA: KRITIK SENI PAMERAN LIKE/DISLIKE

Authors

  • Malena Wati Putri Institut Seni Budaya Indonesia Bandung, Indonesia
  • Martien Roos Nagara Institut Seni Budaya Indonesia Bandung, Indonesia

DOI:

https://doi.org/10.26742/atrat.v12i1.3509

Keywords:

art critique, exhibition, painting

Abstract

Art is one of the important aspects in various facets of human life, therefore art exhibitions serve as
crucial platforms for artists to interact with art enthusiasts and convey their artistic messages. Art
exhibitions play a significant role in the development of visual arts in Indonesia. In this study, the
author will examine, elaborate, and critique a solo exhibition by Taat Joeda titled “Like/Dislike” held at
the Bandung Center for Culture Gallery. This research method involves direct observation or visitation
to the exhibition and an overall analysis using art critique methods and mechanisms. The findings
of the study reveal that the “Like/Dislike” art exhibition presents a refreshing approach in its theme
about the tangle of undergrowth and captivating painting techniques. In conclusion, this research
highlights the overall depth of the “Like/Dislike” exhibition with its theme “The Beauty Hidden Within
the Thicket.”

References

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Perkasa, I. (2023). Teks Kurator Pameran Like/Dislike. Galeri Pusat Kebudayaan.

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Marakayangan Drawing Sebagai Perayaan Bulan Menggambar Nasional. FINDER: Journal of Visual Communication Design, 1(1)

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Published

2024-01-16

How to Cite

Putri, M. W., & Nagara, M. R. (2024). DUNIA SENI RUPA INDONESIA: KRITIK SENI PAMERAN LIKE/DISLIKE. ATRAT: Jurnal Seni Rupa, 12(1), 27–34. https://doi.org/10.26742/atrat.v12i1.3509

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