Kemuliaan Sunan Ambu Refleksi Masa Kini Sebagai Ide Penciptaan Karya Lukis
DOI:
https://doi.org/10.26742/atrat.v13i1.4507Kata Kunci:
metaphor, practice-led research, Sunan Ambu, Sundanese culture, womanAbstrak
This creation recontextualizes the noble values of women in Sundanese culture through the medium
of painting, by combining the visual strength of traditional culture through a modern aesthetic
approach, in this case the mythological figure of Sunan Ambu as the main source of ideas, which is seen
as having values of nobility, compassion, wisdom, justice, blessing and help. The figure of Sunan Ambu
is metaphorized into a female figure in expressionism style. The process of this work uses the practiceled research method, which is the process of creating works through observation, exploration of forms
and techniques, strengthening the main idea and implementing the concept so as to produce works as
artistic expressions related to the issue of shifting values of women today.
Referensi
Arham Rahman. (2017). Mereka-reka. Bantul: Galeri Lorong.
Alexander, J., Pangestu, D. R., Nicolas, F., & Hakim, L. (2020). Penerapan genetic neural network dalam pemilihan color palette untuk desain skema warna. CogITo Smart Journal, 6(2), 284–297.
Apriliandra, S., & Krisnani, H. (2021). Perilaku diskriminatif pada perempuan akibat kuatnya budaya patriarki di Indonesia ditinjau dari perspektif konflik. Jurnal Kolaborasi Resolusi Konflik, 3(1), 1–13.
Aripurnami, S. (2013). Transformasi gerakan dan menguatnya kepemimpinan perempuan. Tentang Penulis, 63(1), 1–24.
Caturwati, E. (2019). The profile of indung in Sundanese society (a sociocultural analysis on the role of Sunan Ambu, Dewi Sri and Rongeng).
Saudi Journal of Humanities and Social Sciences, 4(7), 511–517.
Ferdiansyah, I., & Nurbaity, D. P. (2021). Penerapan Arsitektur Ekspresionisme pada Perancangan Gedung Pusat Kreativitas Di Kota Kendari. Jurnal PROYEKSI: Arsitektur dan Perencanaan, 1(1), 21-30.
Haq, M. Z., Aprianti, P., & Djunatan, S. (2023). Eksistensi perempuan Sunda berdasarkan dimensi Sunan Ambu dalam epos Lutung Kasarung. Hanifiya: Jurnal Studi Agama-Agama, 6(1), 13–24.
Hawkins, B., & Wilson, B. (2017). A fresh theoretical perspective on practice-led research. International Journal of Art & Design Education, 36(1), 82–91.
Himawan, W. (2013). Visual Tradisi dalam Karya Seni Lukis Kontemporer Sebagai Wujud Artistik Pengaruh Sosial Budaya. Ornamen, 10(1).
Hendro, E. P. (2020). Simbol: Arti, fungsi, dan implikasi metodologisnya. Endogami: Jurnal Ilmiah Kajian Antropologi, 3(2), 158–165.
Isnanta, S. D. (2015). Penciptaan Karya Seni Mixed Media Berbasis Ekperimentasi Dengan Teknik Assemblage. Abdi Seni, 6(1).
Istianah, I. (2020). Perempuan dalam sistem budaya Sunda (Peran dan kedudukan perempuan di Kampung Geger Hanjuang Desa
Linggamulya Kecamatan Leuwisari Kabupaten Tasikmalaya). 17(2), 195–204.
Maulidiah, N., & Saddhono, K. (2019). Wujud budaya dan nilai pendidikan dalam cerita rakyat Putri Jelumpang: Sebuah kajian
antropologi sastra. Widyaparwa, 47(2), 185–192.
Melanira, A., & Wibowo, N. W. (2022). Studi interior warna pada ruang perpustakaan: (Studi kasus: Perpustakaan Taman Ismail
Marzuki). Jurnal Ilmiah Arjouna: Architecture and Environment Journal of Krisnadwipayana, 7(1), 1–16.
Metafora, L. K. (2021). Analisis Makna Ungkapan Metafora Dari Presenter Valentino “Jebret” Simanjuntak.
Nerta, I. W. (2022). Mistisisme mudra: Ragam gerakan spiritualitas dalam dunia kesehatan. Sanjiwani: Jurnal Filsafat.
Rasse, C., Onysko, A., & Citron, F. M. M. (2020). Conceptual metaphors in poetry interpretation: A psycholinguistic approach. Language and Cognition, 12(2), 310–342.
Streit, A. K. (2017). Ekspresionisme dan pengaruhnya terhadap desain poster Jerman pada sekitar masa Perang Dunia I. Rupa Rupa,
2(2).
Subagya, T. (2021). Kontekstualisasi, rekontekstualisasi, dan dekontekstualisasi pertunjukan wayang kulit sebagai langkah pembinaan penonton wayang kulit. Lakon Jurnal Pengkajian & Penciptaan Wayang, 18 (2), 164–178.
Sucitra, I. G. A. (2015). Wacana postmodern dalam seni rupa kontemporer Indonesia. Journal of Contemporary Indonesian Art, 1(1).
Unduhan
Diterbitkan
Cara Mengutip
Terbitan
Bagian
Citation Check
Lisensi
Hak Cipta (c) 2025 Searsa Nur Aulia Maheswari, Supriatna Supriatna, Hilman Cahya Kusdiana
Artikel ini berlisensi Creative Commons Attribution 4.0 International License.
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to jurnal Atrat and Jurusan Seni Rupa STSI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
Jurnal Atrat and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in jurnal Atrat are the sole and exclusive responsibility of their respective authors and advertisers.
The Copyright Transfer Form can be downloaded here: [Copyright Transfer Form JTSiskom]. The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax :
Agus Cahyana (Editor-in-Chief)
Editorial Office of Jurnal Atrat
Department of fine art and design. ISBI Bandung
Jl. Buah Batu 212
Email: jurnalatrat@gmail.com
