TATA RIAS WAJAH PENARI BALI PERIODE TAHUN 1920-1940-AN (Perspektif Maestro Tari Bali Ni Ketut Arini)
Kata Kunci:
Tata Rias, Penari Bali, Periode 1920-1940-An, Perspektif Ni Ketut Arini.Abstrak
Tata rias merupakan elemen penting dalam seni pertunjukan, termasuk dalam tari Bali, karena tidak hanya mempercantik penampilan tetapi juga memperkuat karakter dan ekspresi penari. Penelitian ini mengungkap tata rias penari Bali pada periode 1920–1940-an berdasarkan keterangan dari maestro tari Bali Ni Ketut Arini (82 tahun), berdasarkan pada ingatannya sewaktu masih kecil saat memperhatikan para penari berhias, dan mengacu pada foto seniman I Wayan Rindi yang merupakan paman sekaligus guru tari dari Ibu Arini. Metode yang digunakan meliputi wawancara, observasi, studi dokumen, dan dokumentasi. Hasil penelitian menunjukkan bahwa tata rias pada masa tersebut menggunakan bahan-bahan alami seperti jelaga, buah pinang, tangkai sirih, daun dlungdung (dadap berduri), minyak kelapa, perlengkapan nginang, kapas, bedak dari bahan alami, dan pamor (kapur sirih). Peralatan sederhana yang digunakan dalam proses menata rias seperti lampu sentir, lidi, pisau, dan cermin. Proses merias didahului dengan persembahyangan untuk memohon restu-Nya agar proses merias berjalan dengan lancar. Kajian ini memperkaya pemahaman terhadap praktik tata rias tradisional dan kearifan lokal dalam seni pertunjukan Bali.
Referensi
Dibia, I. Wayan. 2013. Puspasari Seni Tari Bali. Denpasar: UPT. Penerbitan ISI Denpasar.
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Moleong, Lexy J. 2017. Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.
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Wulaningsih, Dwi Ari. 2021. “Biografi Seni Ni Ketut Arini, Seorang Penari dan Guru Tari Bali 1943-2020: Pendekatan Struktural Fungsional". Journal Idea Of History, Jurusan Ilmu Sejarah Fakultas Ilmu Budaya, Universitas Halu Oleo 4(1): 75–90.
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