INOVASI KONTEMPORER DALAM SENI PERTUNJUKAN: TEKNOLOGI MAPPING DAN HOLOGRAPHIC PADA TARI KOLOSAL KESAH CAHAYA
Kata Kunci:
Tari kolosal, Teknologi Kontemporer, Projection Mapping, HolographicAbstrak
ABSTRAKPenelitian ini mengkaji penerapan teknologi projection mapping dan holographic dalam pertunjukan tari kolosal Kesah Cahaya serta kontribusinya terhadap pembentukan estetika pertunjukan kontemporer. Dengan menggunakan pendekatan kualitatif dan observasi partisipatif, data dikumpulkan melalui pengamatan proses kreatif serta dokumentasi pertunjukan. Hasil analisis menunjukkan bahwa integrasi teknologi visual digital memperluas ruang representasi panggung dan memperkuat penyampaian narasi melalui efek visual yang imersif. Visualization mapping membantu membangun transisi suasana dan struktur dramaturgi, sedangkan holografi menghadirkan elemen simbolik yang memperkaya imajinasi visual penonton. Kolaborasi teknologi dan koreografi tersebut menciptakan karakter visual yang dinamis serta menunjukkan kecenderungan estetis seni pertunjukan kontemporer. Temuan ini menegaskan bahwa pemanfaatan inovasi digital memiliki peran strategis dalam pengembangan karya tari kolosal di era modern.
Referensi
Khayoun, A. (n.d.). The use of hologram technology in contemporary theatre production: Artistic and aesthetic implications. Journal of Theatre and Performance Studies, 4(2), 45–57.
Angreyani, J., & Sofian, C. N. (2025). Implementasi Desain Panggung Tiga Dimensi dan Video Mapping sebagai Strategi Visual dalam Produksi Pertunjukan (Vol. 1, Issue 1). https://doi.org/https://ejurnal.yarukom.com/index.php/OursLogic/article/view
Buulolo, F., & Falencio, K. (2025). Penerapan Teknologi Projection mapping Untuk Representasi Visual Surealis Pada Desain Panggung Pertunjukan (Vol. 1, Issue 2). https://ejurnal.yarukom.com/index.php/OursLogic
Endrayanto. (2024). Kolaborasi Penciptaan Tari Berbasis Multimedia Hologram Di Kig Dance Community Bandung. Https://Doi.Org/Http://Repository.Upi.Edu/Id/Eprint/121101
Iwai, D. (2024). Projection mapping technologies: A review of current trends and future directions. In Proceedings of the Japan Academy Series B: Physical and Biological Sciences (Vol. 100, Issue 3, pp. 234–251). Japan Academy. https://doi.org/10.2183/PJAB.100.012
Liu, X. (2022). The Interactive Spatial Aesthetics between Holographic Display Technology and Dancing Body Language. 155. https://doi.org/10.3390/proceedings2022081155
Mazlan, C. A. N., Abdullah, M. H., Hashim, N. S. N., Wahid, N. A., Pisali, A., Uyub, A. I., Nor, N. M., & Hidayatullah, R. (2025). Discovery the intersection of performing arts in cultural tourism: a scoping review. In Discover Sustainability (Vol. 6, Issue 1). Springer Nature. https://doi.org/10.1007/s43621-025-00805-w
Subandi. (2023). Descriptive Qualitative Method in Performing Arts Research. Harmonia: Journal of Arts Research and Education, 23(1), 45–56.
Suyanto. (2019). Observasi Kreatif dalam Penelitian Seni Pertunjukan. Lakon: Jurnal Pengkajian & Penciptaan Seni.
Ting, & Lin. (2023). The transformation and application of virtual and reality in creative teaching: A new interpretation of the triadic ballet. Education Sciences. Education Sciences, 13(1), 61.
Widyastuti, S. H. (2025). Peranan seni pertunjukkan tradisional dan tradisi bagi masyarakat. Kejawen. https://doi.org/https://doi.org/10.21831/kejawen.v4i1.72984
Zhong, Y., Fu, X., Liang, Z., & Ning, H. (2024). Application of Three-Dimensional Vision Technology in Dance. In Applied System Innovation (Vol. 7, Issue 5). Multidisciplinary Digital Publishing Institute (MDPI). https://doi.org/10.3390/asi7050080
Murniyati, A., Sarjiwo, & Probosin, A. R. (2023). Metode Demonstrasi dan Imitasi pada Tari Golèk Ayun-Ayun di Perkumpulan Tari Krida Beksa Wirama Yogyakarta. IDEA: Jurnal Seni Pertunjukan, 16(1), 1–13.
Nordin, Che Din, & Aiman. (2022). A study on components of interactive projection mapping to enhance youth engagement with Kuda Kepang in Malaysia. Idealogy Journal.
Yang, R. (2024). An innovative study of interactive performance combining the art of drill and dance with deep learning. Applied Mathematics and Nonlinear Sciences, 9(1).
Sari, & Nurhidayatulloh. (2023). Global trends in the study of projection mapping technology using bibliometric analysis. Journal of Print Media & Technology Research, 12(4), 219–229.
Unduhan
Diterbitkan
Cara Mengutip
Terbitan
Bagian
Lisensi
Artikel ini berlisensiCreative Commons Attribution-ShareAlike 4.0 International License.
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.
