Relevansi Selera Musikal dengan Politik Golongan di Indonesia Era Soekarno
Abstract
The aim of this study is to explain differences in musical tastes in upper social class. The study also describes the relationship between musical tastes with the political groups in the community of Indonesia in Sukarno era. As a conceptual basis, we use the views of Bourdieu about habitus, arenas, andcultural capital. Also used a conceptual view of the Schuessler relationship of musical tastes and ages.This case study concludes that the old group closed with the development of new music tends to assume the old music as the best. On the other side, the young man open to the development of new types of music. Besides, the differences in musical tastes of young and old groups lead to a clash between them. Differences in their taste of music creates an identity as a differentiator between them, resulting in a process of political groups in it.
Keywords: musical tastes, political group, age and identity
Full Text:
PDFReferences
Adam, Cindy. 1965. Sukarno, An AutoBiography as Told to Cundy Adams. New York: The Bobbs-Merril Company Inc.
Bourdieu, Pierre. 1994. Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
C. North, Adrian. 2010. Individual Differencesin Musical Taste, dalam The American Journal of Psychology, Vol. 123, No. 2 (Summer 2010), pp.199-208.
F. Lane, Jeremy. 2006. Bourdieu’s Politics. Problem and Possibilities. New York: Routledge.
Frith, Simon. 1984. Towards an Aesthetic of Popular Music, dalam Leppert, Richard & McClary, Susan. 1984. Music and Society. The Politics of Composition, Performance and Reception. New York: Cambridge University Press.
Koeswoyo, Yon. 2005. Panggung Kehidupan. Jakarta: PT. Candra Awe Selaras.
P.A. Russel. 2003. Musical Taste and Society,dalam Hargreaves, D. J and North, A. C. 2003. The Psychology of Music. NewYork: Oxford University Press.
Sakrie, Denny. 2015. 100 Tahun Musik Indonesia. Jakarta: Gagas Media.
Schuessler, Karl F. 1948. Social Background and Musical Taste, dalam American Sociological Review, Vol. 13, No. 3 (Jun., 1948), pp. 330-335.
Soekarno. 1964. Di Bawah Bendera Revolusi. Jakarta: Panitia Penerbit Di bawah Bendera Revolusi.
Sook AUh, Myung. Walker, Robert, Hee Jong, Jin. Won Kim, Sook. A Cross Cultural Investigation of Musical Tastes of Korean, American, and Australian University Students Focusing on Informal and Formal Musical Experiences, dalam Bulletin of the Council for Research in Music Education, No. 147, The 18th International Society for Music Education ISME Research Seminar (Winter, 2000/2001), pp.9-14.
Uimonen, Heikki. 2004. ‘Sorry, Can’t Hear You! I’m on a Train!’ Ringing Tones, Meanings and the FinnishSoundscape, dalam Popular Music, Vol. 23, No. 1 (Jan., 2004), pp. 51-62.
Tom F.M. ter Bogt, Marc J.M.H. Delsing, Maarten van Zalk, Peter G. Christenson and Wim H.J. Meeus. 2011. Intergenerational Continuity of Taste: Parental and Adolescent Music Preferences, dalam Social Forces, Vol. 90, No. 1 (September 2011), pp. 297-319
webtografi:
https://www.youtube.com/watch?v=cIv7JT d5R5I. Kisah dari Istana Part III. Bersama Sukmawati Soekarno Putri- Gemala Meutia dan Halidah Hatta.
https://www.youtube.com/watch?v=laJsatyZl3o
https://www.youtube.com/watch?v=zLEWIakrc2U
https://www.youtube.com/watch?v=QZFNdtXvQ4Y
Sumber lain:
Titik Puspa dalam tayangan Melawan Lupa, Metro TV.
Majalah Selecta No. 154, Th Ke V. 1963.
Narasumber:
Yok Koeswoyo (Personil Koes Bersaudara: Drummer).
Nomo Koeswoyo (Personil Koes Bersaudara: Vocalist dan Bassist).
Halim Hade (Budayawan).
Haji Koestono (Anggota Militer pada era Soekarno, Pengawal Koes Bersaudara).
Remy Sylado (Budayawan, Wartawan Musik, dan Seniman)
DOI: http://dx.doi.org/10.26742/pantun.v1i1.739
Refbacks
- There are currently no refbacks.
 | This work is licensed under a Creative Commons Attribution 4.0 International License. |
Print ISSN (pISSN) | : |  | |
Online ISSN (e-ISSN) | : |  |
Lembaga Pengindex Jurnal Pantun:
 |  |  |  |
 |
 |
| Google Scholar | | Portal Garuda DIKTI | | |