Tremendum Et Fascinans Transformasi Wujud Rangda Sebagai Ide Penciptaan Karya Drawing

Penulis

  • Putri Rakanita Nugraha Institut Seni Budaya Indonesia Bandung, Indonesia
  • Agus Cahyana Institut Seni Budaya Indonesia Bandung, Indonesia
  • Nandang Gumelar Wahyudi Institut Seni Budaya Indonesia Bandung, Indonesia

DOI:

https://doi.org/10.26742/atrat.v13i1.4505

Kata Kunci:

charcoal, drawing, Rangda, transformasi

Abstrak

Rangda is a Balinese folklore with strong symbolic meaning and a source of inspiration in artistic expression. The creation of this work raises the transformation of the Rangda form as an idea for the creation of drawing works with the approach of interpretation and reinterpretation. Charcoal is used expressively to create a different form of Rangda, by further translating the author’s inner experience into the form of the work. This work will take the form of visual progression panels, with each panel
connected to the other to display a complete flow. An expressionist approach is used to express the deep emotion, horrific atmosphere, and transformation of the Rangda figure in the drawing. The charcoal medium was chosen for its ability to present sharp contrasts, expressive, dark, and dramatic strokes. The creation of this work is a process to understand and translate the author’s inner experience, with the hope of realizing it into a ‘horrifying’ and mesmerizing visual work.

Referensi

Buku

Dexter, E. (2005). Vitamin D: New Perspectives in Drawing. London: PHAIDON Press.

Feldman, E. B. (1967). Art as Image and Idea. Englewood Cliffs, NJ: Prentice-Hall.

Fossey, C. (2008). Rangda: Bali’s queen of the witches. Bangkok: White Lotus Press.

Heraty, T. (2012). Calon Arang: Kisah perempuan korban patriarki. Jakarta: Yayasan Pustaka Obor Indonesia.

Kartika, D. S. (2017). Seni rupa modern (Edisi revisi). Bandung: Rekayasa Sains.

Marianto, M. D. (2017). Seni dan Daya Hidup dalam Perspektif Quantum. Yogyakarta: Badan Penerbit ISI.

Otto, R. (1924). The idea of the holy (J. W. Harvey, Trans.). Humphrey Milford, Oxford University Press.

Price, M. (2013). Vitamin D2: New Perspectives in Drawing. London: PHAIDON Press.

Saidi, A. I. (2008). Narasi Simbolik Seni Rupa Kontemporer Indonesia. Yogyakarta: Isacbook.

Soedarso Sp. (2000). Sejarah Perkembangan Seni Rupa Modern. Yogyakarta: CV Studio Delapan Puluh Enterprise dan Badan Penerbit ISI.

Spars, B. (2020). Rangda: The Legendary goddess of Bali. New South Wales: Wayzgoose Press.

Susanto, M. (2011). Diksi Rupa: Kumpulan Istilah & Gerakan Seni Rupa (Edisi revisi). Yogyakarta: DictiArt Lab & Jagad Art Space.

Wahid, M. (2015). Teori Interpretasi Paul Ricoeur. Yogyakarta: LKiS.

Winarti, N.P. (2018). Pura keluarga dan pratima: Identitas, status, dan legitimasi dalam ritual Hindu Bali. Denpasar: Udayana University Press.

E-Book

Danandjaja, James. 1991. Foklor Indonesia Ilmu Gosip, Dongeng, dll. Jakarta: PT. Pustaka Utama Grafiti.

Danto, A. C. (2003). The abuse of beauty: Aesthetics and the concept of art. Open Court. Dikutip dari https://books.google.co.id

Wirawan, K. I. (2019). Calonarang: Ajaran Tersembunyi di Balik Tarian Mistis. Denpasar: Bali Wisdom.

Wirawan, K. I. (2021). Keberadaan Barong dan Rangda dalam Dinamika Religius Masyarakat Hindu Bali. Denpasar: PT Japa

Widya Dupa. Dikutip dari https://books.google.co.id

Jurnal

Eze, C. A. (2019). Charcoal as a medium for contemporary art production. Mulier: Interdisciplinary Journal for the Study of Religion and

Gender in Africa, 3(1).

Gill, A. K. (2017). BYŌBU: The art of Japanese screen. Research Scholar: An International Refereed e-Journal of LiteraryExplorations, 5(4).

Hidayat, R., & Muladi, E. (2021). Panel partisi ruangan portable dengan sistem engsel detachable. Anggada: Jurnal Mahasiswa/i Desain & Seni, FDSK - Universitas Mercu Buana, 2(2), 177.

Yulianto, N., & Yuliastuti, N. (2018). Citra tubuh perempuan dalam lukisan karya Luna Dian Setya. Journal of Art, Design, Art Education and Culture Studies (JADECS), 3(2), 84.

Prosiding

Jacobs, J. (2015). Case study: Design thinking and new product development for school age children. In Proceedings of the 3rd International Conference for Design Education Researchers: From Design Thinking to Art Thinking (pp. 224-234). Chicago, IL: DRS/CUMULUS/Design-ed.

Web

Caves, J. (2014, Agustus 29). Fixatives are not all the same. Jackson’s Art Blog. Retrieved 20 December, from https://www.jacksonsart.com/blog/2014/08/29/fixatives-are-not-all-the-sa me/

Christine Ay Tjoe. (2025). Artworks. White Cube. Retrieved 6 December 2024, from https://www.whitecube.c om/artists/christine-ay-tjoe Encyclopaedia Britannica. (2024, November 5). Charcoal. Retrieved 29 December 2024, from https://www.britannica.c om/science/charcoal

Hatch, E. (2021, April 15). A guide towatercolor paper. Jackson’s Art Blog. Retrieved 20 December 2024, from https://www.jacksonsart.com/blog/2021/04/15/a-guide-to-watercolour-pa per/#content Interactive and Design. (2017–2018). About

Lanfranco Quadrio. Retrieved 10 December 2024, from https://www.lanfrancoqu adrio.com about.php

Maruki Gallery for The Hiroshima Panels. (1999–2025). About Maruki. Maruki Gallery. Retrieved 13 December 2024, from https://marukigallery.jp/en/about/maruki/

McElhinney, D. (2022, April). Byōbu: 7 things to know about Japanese folding screens. Retrieved December 6, 2024, from https://japanobjects.com/features/byobu

Diterbitkan

2025-10-10

Cara Mengutip

Nugraha, P. R., Cahyana, A., & Wahyudi, N. G. (2025). Tremendum Et Fascinans Transformasi Wujud Rangda Sebagai Ide Penciptaan Karya Drawing. ATRAT: Jurnal Seni Rupa, 13(1), 107–124. https://doi.org/10.26742/atrat.v13i1.4505

Citation Check