ELEMEN KOREOGRAFI TARI PENYAMBUTAN PRASNAYA PRAMI
Kata Kunci:
Kata Kunci: Elemen Koreografi, Prasnaya Prami.Abstrak
Karya Tari Prasnaya Prami merupakan tari penyambutan yang menggabungkan nuansa gerak tari Jawa dan Bali sebagai inovasi dalam pengembangan tari penyambutan di Bali. Perpaduan ini merefleksikan keharmonisan budaya serta memvisualisasikan simbol keramahan yang sejalan dengan nilai Pawongan dalam Tri Hita Karana. Secara etimologis, prasnaya berarti penghormatan dan prami merujuk pada sosok perempuan anggun dan penuh kasih, yang menjadi dasar artistik dalam membangun karakter tarian. Karya ini merupakan bagian dari Program P2SD Berdampak ISI Bali 2025 dan telah didiseminasikan pada Bali Nata Bhuwana Nasional 2025 di Yogyakarta. Penulisan ini menggunakan konsep pemikiran Y. Sumandiyo Hadi mengenai elemen koreografi dengan pendekatan kualitatif melalui observasi, wawancara, dan dokumentasi. Hasilnya berupa pencatatan struktur koreografi yang mencakup (1) Jumlah penari, jenis kelamin, dan postur tubuh, (2) Ruang tari, (3) Iringan/musik tari, (4) Gerak tari, (5) Judul tari, (6) Tema tari, (7) Tipe/jenis/sifat tari, (8) Mode/cara penyajian, (9) Rias dan kostum tari, (10) Tata cahaya, dan (11) Properti tari.
ABSTRACT
CHOREOGRAPHIC ELEMENTS OF THE PRASNAYA PRAMI WELCOMING DANCE, DECEMBER 2025. Prasnaya Prami is a welcoming dance that integrates movement nuances from Javanese and Balinese dance traditions as an innovative contribution to the development of welcoming dances in Bali. This fusion reflects intercultural harmony and embodies the symbolism of hospitality aligned with the Pawongan values in the Tri Hita Karana philosophy. Etymologically, prasnaya means “honor,” while prami refers to a graceful and gentle woman, forming the artistic foundation of the dance’s character. Created as part of the 2025 P2SD Berdampak Program of ISI Bali, the work was presented at the 2025 Bali Nata Bhuwana National event in Yogyakarta. This writing employs Y. Sumandiyo Hadi’s conceptual framework on choreographic elements using a qualitative approach through observation, interviews, and documentation. The findings present a detailed mapping of the choreography, including (1) number, gender, and posture of dancers, (2) dance space, (3) musical accompaniment, (4) movement vocabulary, (5) title, (6) theme, (7) type/character of dance, (8) mode of presentation, (9) makeup and costume, (10) lighting design, and (11) properties used.
Keywords: Choreographic Elements; Prasnaya Prami.
Referensi
Agung, A.A. Ayu Ketut & Aprilia, Ade. 2020. Tata Rias Pengantin Bali. Jakarta: PT. Gramedia Pustaka Utama.
Arini, Ni Ketut. 2012. Teknik Tari Bali. Denpasar: Yayasan Tari Bali Warini.
Bandem, I Made, dkk. 1983. "Gerak Tari Bali". Denpasar.
Dibia, I Wayan. 2013. Puspasari Seni Tari Bali. Denpasar: UPT. Penerbitan ISI Denpasar.
Hadi, Y.Sumandiyo. 2003. Aspek-Aspek Dasar Koreografi Kelompok. Yogyakarta: eLKAPHI (Lembaga Kajian Pendidikan dan Humaniora Indonesia).
Harymawan, R.M.A. 1988. Dramaturgi. Bandung: CV. Rosda.
Maryono. 2015. Analisa Tari. 2nd ed. Surakarta: ISI Press.
Moleong, Lexy J. 2017. Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.
Suandi, I Nengah ; dkk. 2019. Kamus Seni Tari Bali. Denpasar: Balai Bahasa Bali bekerja sama dengan Undiksha.Sugiyono. 2012. Metode Penelitian Kuantitatif, Kualitatif, Dan R & D. 17th ed. Bandung: Alfabeta.
Suteja, I Kt. 2018. Catur Asrama Pendakian Spiritual Masyarakat Bali Dalam Sebuah Karya Tari. Surabaya: Paramita.
Wiratini, Ni Made. 2011. Tari Penyambutan Dari Pendet Hingga Sekar Jagat. Denpasar: Institut Seni Indonesia Denpasar.
Yunita Anggreswari, Ni Putu, and A. A. N. Oka Suryadinatha Gorda. 2020. “Implementasi Tri Hita Karana Sebagai Budaya Organisasi Di The Royal Pita Maha Hotel.” Kamaya: Jurnal Ilmu Agama 3(2): 191–200. doi:10.37329/kamaya.v3i2.440.
Unduhan
Diterbitkan
Cara Mengutip
Terbitan
Bagian
Lisensi
Artikel ini berlisensiCreative Commons Attribution-ShareAlike 4.0 International License.
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.
