INTERPRETATION OF RAMAYANA STORY IN A CYBORG COSTUME

Authors

  • Nadia Rachmaya Ningrum Budiono

DOI:

https://doi.org/10.26742/caij.v3i1.2753

Abstract

The Ramayana epic, an Indian work of literature, was reproduced in the Javanese language and even adapted to the Javanese cultural background. Its Javanese version stops at the part where Sita is brought back to Ayodhya and Rama is crowned as King. The moral values in the story are still relevant to today’s modern life, especially the younger generation; therefore, the meaning of Ramayana story in the cyborg costume becomes significant. The result of the transformation of the form of the costume in the Ramayana story into a cyborg costume as well as the essence inside is expected to be able to become a critical reflection on the importance of moral values in society, especially in modern society. The creation method used is exploration, design, and embodiment. Keywords: Interpretation of Ramayana stories, Ramayana Stories, cyborg costumes

References

Abimanyu, Petir. (2014). Ajaran-Ajaran Emas RamayanaMahabharata. Jogyakarta: Laksana.

C. Rajagopalachari. (2013). Ramayana. Jogyakarta: IRCiSoD

Dharsono (2004). Seni Rupa Modern. Surakarta : Rekayasa Sains Djajakusumah,Gunawan dan Hendrayana, Dian. (2008). Leksikon Pawayangan. Bandung: PUSPAWARNA

Gustami, SP. (2007). Butir-Butir MutiInIndonesia Timur: Ide Dasar Penciptaan Seni Kriya Indonesia. Yogyakarta:Indonesiata.

Hazim, Amir. (1991). Nilai-Nilai Etis dalam Wayang. Jakarta: Pustaka Sinar Harapan.

Hersapandi. (2011). Wayang Orang Bharata Jakarta di Era Globalisasi. Jurnal Panggung, Vol.21 No.2 April: 132

Hujatnikakajennong, Agung. (2015). InIndonesian Kuasa KekuratoIndonesiaam Medan Seni Rupa Kontemporer di Indonesia. Jakarta: Dewan Kesenian Jakarta.

Kosasih, R.A. Lahirnya Sri Rama dan Dewi Sinta. Bandung: ERLINA

Kosasih, R.A. RamayanaIndoIndonesiasiadan Sinta). Bandung: ERLINA

Mulyono, Sri. (1Indonesiang dan Karakter Manusia. Jakarta: PT. Gunung Agung.

Narayan R.K. (2004). Ramayana. Yogyakarta: Bentang Pustaka.

Riyani, Mufti (2005). “Penggambaran Etika Jawa dalam Relief Wiracarita Ramayana di Candi Prambanan, Jawa Tengah”. Skripsi Jurusan Sejarah Fakultas Ilmu Sosial, Universitas Negeri Semarang.

Rukiyah, Yayah. (2015). Makna Wayang pada Wajah Wayang Golek. Jurnal Desain, Vol. 02 No. 03 Mei: 1-27.

Soekaman, Yudeseputro dan Wiyoso. (1993). Rupa Wayang Dalam Seni Rupa Kontemporer Indonesia. Jakarta: Senawangi. Indonesiamantri, BarIndonesia989). Menyimak Perkembangan Wayang Golek di Jawa Barat. Majalah Warta Wayang Gatra, No.22.IV.1989. JakarIndonesiatariat Nasional Pewayangan Indonesia.

Stutterheim, Willem. (1989). Rama-Legends and Rama-Reliefs In Indonesia. New Delhi: Indira Gandhi National Centre For The Arts.

Sugihati, Anggi. (2016). Perancangan Buku Mengenal Dunia Seni Rupa Untuk Anak Usia Dini. Bandung: Universitas Pendidikan Indonesia.

Supandi, Atik. (1988). Tetekon Padalangan Sunda. Jakarta: Balai Pustaka.

Surakhmad, Winarno. (1994). Metodologi Research Dasar, Metode, dan Teknik. Bandung: Trasito.

Suryana, Jajang. (2002). Kajian Estetika Tokoh Golek. Bandung: Kiblat Buku Utama.

Tarbrani, Primadi. (2012). Bahasa Rupa. Bandung Kelir. Widodo Pribadi, dan Nuning Yanti Damayanti Adisasmito. (2016). Jurnal Panggung, Vol. 26 No. 04 Desember: 436.

Winternitz, M. (1981). “History Of Indian Literature”. “Vol III, Part 1 (Clasical Sankrit Literature)”. University Of Delhi.

Downloads

How to Cite

Budiono, N. R. N. (2023). INTERPRETATION OF RAMAYANA STORY IN A CYBORG COSTUME. CAIJ: Creative Arts Interdisciplinary Journal, 3(1). https://doi.org/10.26742/caij.v3i1.2753

Issue

Vol. 3 No. 1 (2023): Vol. 3 No.1

Section

Articles

Citation Check

Received 2023-09-08
Accepted 2023-09-08