The Contribution of Cultural Art in the Creation of Liong Ornament on the Roof of Tay Kak Sie Temple Semarang Central Java

Khairul Mustaqin

Abstract


Abstract

The Liong Ornaments on the roof of Tay Kak Sie Temple in Semarang Central Java are influenced by the various contributions of art and culture to its creation. The issues raised in this research, namely: 1) How Liong ornaments form on the roof of Tay Kak Sie Temple are; 2) How art elements on Liong ornaments on the roof of Tay Kak Sie Temple; 3) What are the contributions of art and culture to the creation of Liong ornaments on the roof of Tay Kak Sie Temple Semarang Central Java. The purpose of this study is to provide an explanation of Liong ornament form on the roof of Tay Kak Sie Temple; art elements on Liong ornaments on the roof of Tay Kak Sie Temple; and cultural art contribution to the creation of Liong statue ornament on the roof of Tay Kak Sie Temple Semarang Central Java. This research uses qualitative method with case study approach. Ornaments Liong statue on the roof of Tay Kak Sie Temple is a three-dimensional work with simplification and deformation techniques. Liong statue ornament is an imitative form of Chinese mythology animal. The texture of the ornament, ie smooth, smooth wavy, and rough. Liong Ornaments use seven colors and contain elements of blue monochromatic color. Liong Ornaments are included in imitative artwork with a style of naturalist expression. Expression of ornaments, namely anger, ambition, and firmness. Liong ornaments form on the roof of Tay Kak Sie Temple Semarang Central Java influenced by the factors of artists, culture, the influence of the Ming Dynasty, the location of the temple, and trust.

Keywords: Contribution of Cultural Art, Creation, Liong Ornament, Temple


Full Text:

PDF

References


Gie, The Liang. Filsafat Seni: Sebuah Pengantar. Yogyakarta: Pusat Belajar Ilmu Berguna, 1996.

Hartoko, Dick. Manusia dan Seni. Yogyakarta: Kanisius, 1983.

Juwono, Benny. “Etnik Cina di Surakarta 1890-1927”, dalam Lembaran Sejarah, Vol. 2 No. 1, Fakultas Sastra Universitas Gadjah Mada, Yogyakarta (1999): 62.

Kartika, Dharsono Sony. Seni Rupa Modern. Bandung: Rekayasa Sains.

Nasution, S. Metode Penelitian Naturalistik Kualitatif. Bandung: Tarsito, 1996.

Sumantra, I Wayan. “Ekspresi dan Teknik Penciptaan dalam Seni Kriya”, dalam Jurnal Institur Seni Indonesia, Denpasar (8 Februari 2010): 1-3.

Susanto, Mikke. Diksi Rupa: Kumpulan Istilah & Gerakan Seni Rupa (edisi revisi). Yogyakarta: DictiArt Lab & Djagat Art House, 2011.

Tatt, Ong Hean. Simbolisme Hewan Cina. Jakarta: Mega Poin, 1996.

Yanarko, Hari Akbar. “Terumbu Karang Sebagai Inspirasi Penciptaan Patung Deformatif”. Skripsi Program Studi Pendidikan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Yogyakarta, 2012.




DOI: http://dx.doi.org/10.26742/panggung.v27i4.293

Refbacks

  • There are currently no refbacks.




Statistik Pengunjung Jurnal Panggung


 Jurnal ini terlisensi oleh Creative Commons Attribution-ShareAlike 4.0 International License.

Creative Commons License

Editor Office:

Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LP2M)
Institut Seni Budaya Indonesia (ISBI) Bandung Gedung Rektorat Lantai 4
Jl. Buah Batu No. 212 Bandung 40116 
Email: penerbitan@isbi.ac.id or redaksi.panggung@gmail.com
Phone: 022 7314982 Fax: +022 7303021