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Resiliensi Budaya sebagai Ketahanan dalam Menjaga Tradisi hingga Ekonomi Kreatif
Vol. 33 No. 3 (2023) -
Pegeseran Estetik Dalam Seni Budaya Tradisi Masa Kini
Vol. 29 No. 1 (2019)Jurnal Panggung, in the first edition in 2019, brings the theme about “The Aesthetical Shifting in Current Traditional Arts and Culture”. The theme suggests common issues found in the development of traditional arts in response to the changing era as shown in the seven articles published in this volume which covers various field of study including performing arts, anthropology, visual arts, and literary study. The intersection between tradition and modernity has been on going issues in various art forms and cultural practices in Indonesia including among traditional communities as discussed by Saepuloh and Wildan et. al. in presenting two different traditions in Belitung Island. The similar issue appears in Suhaeti’s work on Ronggeng Amen, a traditional dance in Pangandaran Regency which has undergone changes. Meanwhile in the area of music, Daryana et. al. examine Arumba as the development of traditional Angklung in West Java in a new form. In the area of craft, Irfan et. al. discuss the changes and development of traditional ceramics in Takalar South Sulawesi in the last 30 years. Further, Harissman et. al. bring the issue of the shift in functions and meanings of traditional house “Rumah Gadang” in Minangkabau into a beautiful painting. Last but not least, Samodro et. al. explore the dramatic structure of a traditional story of wayang wong “Mintaraga” presented by Wayang Wong Sriwedari group in Central Java.
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Dinamika Seni Tradisi dan Modern: Kontinuitas dan Perubahan
Vol. 28 No. 4 (2018)Panggung in this edition presents the theme Dinamika Seni Tradisi dan Modern: Kontinuitas dan Perubahan (The Dynamic of Traditional and Modern Arts: Continuity and Changes). This last edition of the journal in 2018 provides 9 (nine) articles discussing various topics on innovation and creation in traditional arts following changes in the modern era. This also means that the tradition has significant interaction with modern aspects of the art. Among the 9 articles, 8 papers deliberate traditional performing arts in their various forms of dance, music and theatre. Those articles put tradition in its intersection with modern elements, especially pop culture, to negotiate new meanings and values as shown in Rahman et. al, Futri et. al, and Raditya et. al. Meanwhile, the re-interpretation oftraditional art in a new context discussed by Rosilawati et al.andYesriva et. al. Further, new forms of traditional arts are presented by Susandrajaya and Ariastuti, particularly to support the economic growth in their community. The last is the only paper talking about a traditional craft that is presented by Sofyan et al. They examinepayunggeulis from Tasikmalaya as a local knowledge based-product, which is nearly extinct because of its inability to compete with modern products in a free market.
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