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Vol 2, No 2 (2022): Vol. 2 No.2 |
AESTHETIC CHINESE PAINTING TECHNIQUE BY ARTISTS LEE MAN FONG |
Abstract
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Sangid Zaini Gani |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
BATIK PAHAKH: THE TRANSFORMATION OF TRADISIONAL TOOL IN THE NGEJALANG CEREMONY INTO BATIK PATTERN |
Abstract
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Hadi Kurniawan |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
CREATIVITY AND LEARNING PROCESS IN VISUAL LANGUAGE OF EARLY CHILDHOOD |
Abstract
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Martien Roos Nagara |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
DESIGNING SOUVENIR PRODUCTS WITH FOILING AND RUST DYEING TECHNIQUES INSPIRED BY SUNFLOWERS IN NANGGALAMEKAR VILLAGE, CIANJUR, WEST JAVA |
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Asep Miftahul Falah, Saftiyaningsih Ken Atik, Ghaida Nasya, Oky Setiawan |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
EXPLORE EMBROIDERY AND WEAVING TAPESTRY WITH SHIBORI TECHNIQUES ON OUTER READY TO WEAR CLOTHING |
Abstract
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Elina Almara Fajar, Asep Miftahul Falah |
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Vol 2, No 1 (2021): Vol.2 No.1 |
IMPLEMENTATION OF RUBBERBLOCK PRINTING TECHNIQUE ON OUTER FASHION PRODUCTS WITH THE INSPIRATION OF THE LONTARA SCRIPT MOTIF |
Abstract
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Fauziah Rahmah Ash-shidiq, Asep Miftahul Falah |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
IMPLEMENTATION OF WEAVING TECHNIQUE ON MENS READY-TO-WEAR FASHION PRODUCTS |
Abstract
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Dede Ananta |
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Vol 2, No 1 (2021): Vol.2 No.1 |
INNOVATION BASED ON GRINGSING WEAVING MOTIFS PEGRINGSINGAN VILLAGE IN THE FORM OF FASHION |
Abstract
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Muhamad Rifki Rizqia, Ade Ayu Pusipita Munawaroh, Anandhi Alvina Damayanti, Asep Miftahul Falah |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
INTERPRETATION OF RAMAYANA STORY IN A CYBORG COSTUME |
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Nadia Rachmaya Ningrum Budiono |
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Vol 2, No 1 (2021): Vol.2 No.1 |
IWAN SIMATUPANG IN THE WORK: KERING |
Abstract
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Rosmani Sianipar |
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Vol 2, No 1 (2021): Vol.2 No.1 |
MODEL PARTICIPATION ACTION RESEARCH (PAR) AS A METHOD FOR DEVELOPING ENVIRONMENTAL ARTS IN NANGGALAMEKAR VILLAGE, CIANJUR |
Abstract
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Agus Cahyana, Nani Sriwardani |
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Vol 2, No 1 (2021): Vol.2 No.1 |
READING HURIYAH ADAMS PIRING DANCE IN A POSTCOLONIAL AESTHETIC NARRATIVE, WEST SUMATRA, MINANGKABAU |
Abstract
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Suherni Suherni, Syahri Anton, Ahda Ahyana Nasution |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
REINTERPRETATION OF TURI PUTIH SONG BY SUNAN KALIJAGA IN CHINESE METICULOUS PAINTING |
Abstract
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Farid Kurniawan Noor Zaman, Wu Jian Shan |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
SEBERANG IlirS MUSICAL CONCEPT IN SYAROFAL ANAMS PERFORMANCE AT TWELVES NIGHT IN THE CITY OF PALEMBANG |
Abstract
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Andar Indra Sastra, Ediwar Ediwar |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
SPIRITUALITY OF THE ART OF TEREBANG SEJAK OF DUKUH TRADITIONAL VILLAGE |
Abstract
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Nani Sriwardani, Reiza D. Dienaputra, Nyai Kartika, Susi Machdalena, Iip S Hidayana |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
SUSTAINABLE CULTURAL TOURISM MANAGEMENT: A CASE STUDY OF NYADRAN KALI TRADITION |
Abstract
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Rufus Goang Swaradesy, Dara Bunga Rembulan |
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Vol 2, No 1 (2021): Vol.2 No.1 |
Symbolic Meaning of Sundanese and Balinese Culture |
Abstract
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Ainun Nur Fadilah, Wulandari Wulandari Wulandari, Asep Miftahul Falah, Martien Roos Nagara |
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Vol 1, No 1 (2020): Vol.1 No. 1 (2020) |
THE ARCHITECTURAL AND INTERIOR ELEMENTS AS A FORM OF CULTURAL ACCULTURATION OF HIDAYATULLAH MOSQUE, SOUTH JAKARTA |
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Fauzia Latif |
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Vol 2, No 1 (2021): Vol.2 No.1 |
THE DEVELOPMENT OF BALINESE BATIK MOTIFS IN TOHPATI VILLAGE USING STILATION DIGITAL TECHNIQUE IN FASHION PRODUCT |
Abstract
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Fanhani Aina Hermawan, Mutiara Putri Azzahra, Asep Miftahul Falah, Martien Roos Nagara |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
THE INFLUENCE OF CHINESE AESTHETICS ON PAYUNG GEULIS TASIKMALAYA KAMBOJA FLORALS |
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Farid Kurniawan Noor Zaman, Wulandari Wulandari |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
THE ROLE OF INFLUENCERS IN INSPIRING PEOPLES FASHION IN BANDUNG |
Abstract
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Neneng Dela Amelia, Asep Miftahul Falah |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
VISUAL ANALYSIS OF CIRENDEU BATIK MOTIFS |
Abstract
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Anandhita Alvina Damayanti, Asep Miftahul Falah |
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Vol 3, No 1 (2023): Vol. 3 No.1 |
VISUAL ELEMENTS OF DOGDOG, A TRADITIONAL ART IN CIKARAHA VILLAGE, TASIKMALAYA REGENCY |
Abstract
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Asep Miftahul Falah, Ade Ayu Puspita Munawaroh |
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Vol 2, No 2 (2022): Vol. 2 No.2 |
WOMEN CROSSING THE STROM REFLECTION OF MINANGKABAU WOMEN IN CHOREOGRAPHY |
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Susasrita Loravianti, Roza Muliati |
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