Parole, Sintagmatik, dan Paradigmatik Motif Batik Mega Mendung

Abstract

ABSTRACT

 

Discussing traditional batik is related a lot to the organization system of fine arts element ac- companying it, either the pattern of the motif or the technique of the making. In this case, the motif of Mega Mendung Cirebon certainly has patterns and rules which are traditionally different from the other motifs in other areas.

Through  semiotics analysis especially with Saussure and Pierce concept, it can be traced that batik with Cirebon motif, in this case Mega Mendung motif, has parole and langue system, as unique fine arts language in batik, and structure of visual syntagmatic and paradigmatic. In the context of batik motif as fine arts language, it is surely related to sign system as symbol and icon.

 

 

 

Keywords: visual semiotic, Cirebon’s batik.

 

References

1. Arif E. Suprihono
2. Hakikat dan Kiat Seni Media Rekam. [s.l]: [s.n]
3. Edi Sedyawati
4. Budaya Indonesia: kajian Arkeologi, Seni, dan Sejarah. Jakarta: Rajawali Press.
5. Guntur
6. Ornamen sebuah Pengantar. Sura- karta: P2AI STSI Surakarta
7. Hartman, Taylor
8. Color Code, Batam: Interaksara Ba- tam Centre
9. Heddy Shri Ahimsa Putra, (ed.)
10. Ketika Orang Jawa Nyeni. Yogyakar- ta: Galang Press.
11. Hoop, Van der.
12. Indonesische Siermotiven, Uitgegeven Door Het Koninklijk Bataviaasch Ge- nootschap van Kunsten en Weten schappen.
13. Husen Hendriyana
14. Makna Simbolik Motif Gunungan pada Motif Batik Semen Rama. Ban- dung: Puslitmas STSI Bandung
15. Kris Budiman
16. Kosa Semiotika. Yogyakarta: LiKS.
17. SP Gustami
18. Nukilan Seni Ornamen Indonesia.
19. Yogyakarta: Jurusan Kriya Seni
20. FSR ISI Yogyakarta.