IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI
DOI:
https://doi.org/10.26742/panggung.v33i2.2334Abstract
The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers of modern literature in the Balinese language. The data were analyzed using structuralism and semiotic approaches. The results of the study show that Balinese haiku provides a cross-cultural identity (Japanese and Balinese) for modern Balinese literature. The results of this study contribute to our efforts to understand that this hybrid poem strengthens the opinion of scholars who say that Bali is an open fortress, meaning that it remains open to accepting outside influences but firmly maintains its artistic and cultural identity.
Keywords: modern Balinese literature, Balinese language, haiku, cross-cultural identity, Japan
References
Agastia, IBG. (1994). Kesusastraan Hindu Indonesia (Sebuah Pengantar). Denpasar: Yayasan Dharma Sastra.
Anindito, Galuh, D. P. (2017). Shasei dalam Haiku Karya Masaoka Shiki (Doctoral dissertation, Universitas Darma Persada).
Barthes, Roland. 1962. Elements of Semiology. New York: Hill and Wang.
Barthes, Roland. 1977. Image-Music-Text, Essays Selected and Translated by Stephen Heat. Glasgow: Fontana/Collin.
Creese, H. (1999). The Balinese kakawin tradition: A preliminary description and inventory. Bijdragen tot de Taal-, Land-en Volkenkunde, 155(1), 45-96.
Creese, H. (2015). Women of the kakawin world: marriage and sexuality in the Indic courts of Java and Bali. London: Routledge.
Damono, Sapardi Djoko. (2013). Sosiologi Sastra, Pengantar Ringkas. Jakarta: Editum.
Dewi, F. P., Worobroto, E., & Andayani, S. (2016). Bentuk Kigo pada Haiku dan Isi Sindiran pada Senryu oleh Mahasiswa Sastra Jepang Universitas Brawijaya. Izumi, 5(1), 25-31.
Fitriyani, S. S., dan Sumiyadi. (2020). Puisi Bergaya Haiku Dalam Cyber Sastra Indonesia Di Era Milenial (2018-2019). Jurnal Bahtera Sastra Indonesia, 3(1), pp.11-22.
Foulcher, Keith. (1977). “Perceptions of modernity and the sense of the past; Indonesian poetry in the 1920s”, Indonesia 23:39-58.
Gill, Tom. 2001. “Transformational Magic: Some Japanese super-heroes and monsters”, dalam The worlds of Japanese popular culture: gender, shifting boundaries and global cultures/edited by D. P. Martinez, 33-54. UK: Cambridge University Press
Higginson, William J., (1985). The haiku handbook. New York: Mcgraw-Hill Book Company.
Hoed, Benny H. (2011). Semiotik dan Dinamika Sosial Budaya. Jakarta: Komunitas Bambu.
Indriawan, P. R., Hastuti, N., dan Fadli, Z. A. (2016). Haiku Bertemakan Musim Dingin Dalam Buku Japanese Art and Poetry (Sebuah Kajian Semiotik). Japanese Literature, 2(1), 1-10.
Kenceng, Aryawan Ketut. 2014. Bikul (Tikus). Tabanan: Pustaka Ekspresi.
Kenceng, Aryawan Ketut. 2015. Bubu. Tabanan: Pustaka Ekspresi.
Kenceng, Aryawan Ketut. 2016. Bali Melah Bali Benyah (Bali Baik Bali Hancur). Denpasar: Pelawa Sari.
Laurenson, Diana T dan Allan Swingewood. (1972). The Sociology of Literature. Great Britain: Shocken Books Inc.
Lawi, Mario F . 2015. “Haiku dan Kematian”. Diakses pada 21 Juli 2021 dari https://kupang.tribunnews.com/2015/01/08/haiku-dan-kematian. Artikel ini telah tayang di Pos-Kupang.com dengan judul https://kupang.tribunnews.com/2015/01/08/haiku-dan-kematian.
Meilantari, N. L. G., & Ayuba, S. R. (2021, June). Wacana Pandemi Pada Haiku-Haiku Pemenang Kontes Di Kota Kisarazu. In Prosiding Seminar Nasional Sastra, Bahasa dan Budaya (SEBAYA) ke-1 (pp. 116-123).
Novianti, R. (2021). Menulis haiku pada mata pelajaran bahasa Jerman siswa kelas XI SMAN 1 Batu untuk pembelajaran karya sastra dengan tema Familie. SKRIPSI Mahasiswa UM.
Putra, I Nyoman Darma dan Nala Antara, I. (2019). Tantangan dan Peluang Peningkatan Penerbitan Buku Sastra Bali Modern. Jurnal Kajian Bali (Journal Of Bali Studies), 9(2), 475–498. doi:10.24843/JKB.2019.v09.i02.p10
Putra, I Nyoman Darma. 2010. Tonggak Baru Sastra Bali Modern. Denpasar: Pustaka Larasan.
Schulte Nordholt, Henk. (2007). Bali: An Open Fortress, 1995-2005: Regional Autonomy, Electoral Democracy and Entrenched Identities. Singapore: BUS Press.
Sunarni, N. (2019). Stilistika Haiku Matsuo Basho. Jurnal Sastra-Studi Ilmiah Sastra, 9 (1), 1-11.
Teeuw, A. (1967). Modern Indonesian Literature. Leiden: KITLV.
Teeuw, Andries. (2020). Sastra dan ilmu sastra; pengantar teori sastra. Jakarta: Pustaka Jaya.
Wulandari, S. (2017). Moral Bushido Dalam Haiku Karya Masaoka Shiki. Ayumi: Jurnal Budaya, Bahasa dan Sastra, 4(1), pp. 46-62.
Yasuda, Kenneth. (2000 [1957]). The Japanese Haiku. Singapore: Tutle Pusblishing.
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
Penulis yang menerbitkan jurnal ini menyetujui persyaratan berikut:
Penulis memiliki hak cipta dan memberikan jurnal hak publikasi pertama dengan karya yang secara simultan dilisensikan di bawah Creative Commons Attribution License yang memungkinkan orang lain untuk berbagi karya dengan pengakuan kepengarangan karya dan publikasi awal dalam jurnal ini.
Penulis dapat mengadakan perjanjian kontrak tambahan yang terpisah untuk distribusi non-eksklusif versi jurnal yang diterbitkan dari karya tersebut (misalnya, mempostingnya ke repositori institusional atau menerbitkannya dalam sebuah buku), dengan pengakuan atas publikasi awalnya dalam jurnal ini.
Penulis diizinkan dan didorong untuk memposting pekerjaan mereka secara online (mis., Dalam repositori institusional atau di situs web mereka) sebelum dan selama proses pengiriman, karena dapat menyebabkan pertukaran yang produktif, serta kutipan yang lebih awal dan lebih besar dari karya yang diterbitkan.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.