Kajian Budaya Fotografi Potrait dalam Wacana Personalitas
DOI:
https://doi.org/10.26742/panggung.v24i3.127Abstract
ABSTRACT
Â
Portrait Photography is a representation of similarity in the form of two-dimensional human fi- gure. Portrait photography gives a personal good indication of the owner’s portrait, portrait subjects and photographers. Personality photographic work representing one’s personal character. This study aims to explain the problems of cultural studies in the discourse on photography portrait personality. This research method using literature review of the literature both books, journal articles and research reports, especially portrait photography in cultural studies. The study provides an overview of cul- tural studies on four issues for portrait photography: first, photography as a representation. Portrait is where negotiations between the photographer with the subject of self-representation (model). Se- cond, diaspora photographers. Photographers Indonesian Chinese (Peranakan) as cultural brokers in the post-colonial period. The difference between the Peranakan culture and totok also distinguished in the profession of social groups in studio photography. Third, the identity of the portrait. Family’s photo album as a way structured ourselves, and cultural identities through ritual memory. Fourth, photography as a medium of cultural domination. Photography is a meaning synthesis of subject and object photos.
Â
Keywords: cultural studies, portrait photography, personality, discourse
Â
Â
ABSTRAK
Â
Fotografi potrait merupakan representasi kemiripan figur manusia dalam bentuk dwimatra. Fotografi potrait memberikan indikasi personal baik pada pemilik potrait, sub- jek potrait maupun fotografer. Personalitas karya fotografi yang mewakili pribadi bahkan karakter seseorang. Penelitian ini bertujuan untuk menjelaskan permasalahan kajian buda- ya pada fotografi potrait dalam wacana personalitas. Metode penelitian ini menggunakan metode kajian pustaka dari berbagai literatur baik buku, artikel jurnal dan laporan pene- litian fotografi khususnya potrait dalam kajian budaya. Hasil penelitian ini memberikan gambaran empat permasalahan kajian budaya pada fotografi potrait yaitu pertama, foto- grafi sebagai representasi. Potrait merupakan tempat negosiasi antara fotografer dengan representasi-diri subjek (model). Kedua, diaspora fotografer. Fotografer China Indonesia (peranakan) sebagai broker budaya di masa poskolonial. Perbedaan budaya antara per- anakan dan totok dibedakan juga dalam kelompok sosial profesi dalam studio fotografi. Ketiga, identitas dalam potrait. Album foto keluarga sebagai sebuah cara untuk menstruk- turisasi diri, identitas dan budaya melalui ritual ingatan. Keempat, fotografi sebagai me- dia dominasi budaya. Fotografi adalah sintesis pemaknaan dua subjek yang-memotret dan yang-memandang.
Â
Kata kunci: kajian budaya, fotografi potrait, personalitas, wacana
References
Barker, Chris
Cultural studies Teori dan Praktik. Yog- yakarta: Bentang
Boeree, George C.
Carl Jung: Personality Theories. [s.n]: Shippensburg University
Dennet, Terry dan Jo Spence
“Photography, Ideology and Education†dalam The Screen Education Reader: Cinema, Television, Culture, editor Ma- nuel Alvarado, Edward Buscombe dan Richard Collins. New York: Pal- grave
Douglas, Phil
Defining Character and Personality with Expressive Portraiture, PSA Journal, Ed. March
Gelder, Hilde Van dan Helen Westgeest
Photography Theory in Historical
Perspective, Oxford : Wiley-Blackwell
Geimer, Peter
“Image as Trace: Speculations about an Undead Paradigmâ€, Differences: A jour- nal of Feminist Cultural studies Vol. 18
No.1 Browns University
Hildebrand, Jennifer
“Using Portraiture to Shift Paradigms:
The New Negro Movement in the Class-
O’Brien, Michael E dan Norman Sibley
roomâ€, The History Teacher Volume 44 1995 The Photographic Eye: Learning to See
Number 4 August 2011, Society for His- with a Camera. Worcester: Davis Pub-
tory Education lications Inc.
James, Sarah
“Subject, Object, Mimesis: The Aesthe- tic World of The Bechers Photography†dalam Photography After Conceptual Art, Edited by Diarmud Costello and Margaret Iversen. Oxford: Wiley-Blackwell
Jenkinson, Mark
The Potrait Photography Course: Prin- ciples, practice and techniques, the essen- tial guide for photographers. Kaki Bu- kit Tehcpark II: Page One
Joyce, Megan
â€Photography in Colonial and Postco- lonial India as an Agent of Cultural Dominanceâ€, Annual Art History Sym- posium at the Univsersity of Texas at Arlington.
Kirova, Anna dan Michael Emme
[t.t] “Using photography as a means of phe- nomenological seeing: Doing phenome- nology with immigrant childrenâ€, da- lam Photography and Phenomenologic logical Seeing. Canada: University of Alberta
Marien, Mary Warner
Photography: A Cultural History. Lon- don: Laurence King Publishing
Nyoman Kutha Ratna
Postkolonialisme Indonesia: Relevansi
Sastra. Yogyakarta : Pustaka Pelajar
Orjasaeter, Kristin
Art, Aid adn Negotiated Identity: The Family Pictures of Hornsleth Vilalge Project Uganda. Uganda: Hornsleth Village Project
Park, Sang-Woo
Identity and Identification through Pho- tography, [s.l: s.n]
Peers, Laura dan Alison K. Brown
“Colonial Photographs and Post-Colo- nial Histories: The Kainai-Oxford Pho- tographic Histories Projectâ€, First nati- ons-First Thoughts, Centre for canadia Studies, University of Edinburg, 5-6 May
Sayers, Janet
The Role of Family Photograph Albums in Organizing New Zealand Identities. Auckland: Department of Manage- ment and International Business
Seno Gumira Ajidarma
Panji Tengkorak: Kebudayaan Dalam
Perbincangan. Jakarta : KPG
Strassler, Karen
“Cosmopolitan Visions: Ethnic Chinese and The Photographic Imagining of In- donesia in the Late Colonial and Early Postcolonial Periodsâ€, The Journal of Asian Studies Vol. 67 No. 2
Soeprapto Soedjono
Pot-Pouri Fotografi. Jakarta: Penerbit
Trisakti
Wright, Terence
The Photography Handbook. London: Routledge
Zakia, Richard
Perception and Imaging. Boston: Focal
Press
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
Penulis yang menerbitkan jurnal ini menyetujui persyaratan berikut:
Penulis memiliki hak cipta dan memberikan jurnal hak publikasi pertama dengan karya yang secara simultan dilisensikan di bawah Creative Commons Attribution License yang memungkinkan orang lain untuk berbagi karya dengan pengakuan kepengarangan karya dan publikasi awal dalam jurnal ini.
Penulis dapat mengadakan perjanjian kontrak tambahan yang terpisah untuk distribusi non-eksklusif versi jurnal yang diterbitkan dari karya tersebut (misalnya, mempostingnya ke repositori institusional atau menerbitkannya dalam sebuah buku), dengan pengakuan atas publikasi awalnya dalam jurnal ini.
Penulis diizinkan dan didorong untuk memposting pekerjaan mereka secara online (mis., Dalam repositori institusional atau di situs web mereka) sebelum dan selama proses pengiriman, karena dapat menyebabkan pertukaran yang produktif, serta kutipan yang lebih awal dan lebih besar dari karya yang diterbitkan.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.